Did anyone expect Arie Anne Overbeek, Dutch lyricist-cum-theatre wielder, to crash into the musical cosmos at 52? Probably not. If life’s a stage, Double Ace EMPA just brought the fog machines, the spotlights, and a digital drum pad, cranked to something altogether otherworldly.
“You Found Me” rides a strange high—a concoction of rhythm and stamina where melody meets a curious quietness, then spins into a revival of self. If dreams were kaleidoscopes melting into glasswork, this track would be their soundtrack. Arie offers us sparse yet profound vocals that hover above electronic undercurrents like ghosts unsure whether to haunt you or hand you the map to your next move. It’s that hesitance, that edge between chasing something and wondering if it’s been chasing you all along, that makes this work so absurdly relatable. And yet, the chorus feels like a sunrise you didn’t expect—perhaps coming from around the corner of a broken boulevard.
Lyricism that feels specific yet universal—that’s the trick here. Much like examining Magritte’s paintings for a single, elusive sky, Double Ace EMPA nudges us toward finding the soft places within us where self-doubt festers. The synth buildups almost suggest a heartbeat, or maybe a hesitant question: Can you actually chase your dream if you’re too scared to catch it?
It’s experimental, yet effortlessly smooth—a paradox wrapped in a foot-tapping vibe, dipped in electronic wonder. Doubt, forgotten or confronted, is sonically dissected under a microscope as soft female vocals wrap like a swirling mist around your thoughts, but this time it’s you pulling the levers.
Let’s face it, some people find themselves by accident. Others? They just keep recording until all that’s left is honesty.
Keep your eye—your ears—on Overbeek.
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