This is the part of Music Arena Ghana where we discuss, write about, and evaluate new music from emerging musicians as well as those who are already well-known.
TJ Howlett Wanders a Melancholic Path with “Easy Street”
Drawing a Line in the Sand with Martin Yates’s “Now or Never”
Riax Delivers Floor-Shaking Catharsis on “Saved My Life”
Puck Breaks Free on Debut Single “Caricature”
A Song That Breathes Honesty: NBP Human’s “You Know Me”
Amelina’s “Step by Step”: Finding Gravity in Grit.
Kainine Finds His Anchor in “Grandmas Kitchen”
The Terrible Peace of Myles Sky’s “Goodbye Letter”
Nikiré’s “ETERNITY beneath the stars of God”: A Philosophy in Sound
The Fragile Beauty of GISKE’s “The Sound of Birdsong”
Inside the Stylish Explosion of Pandemonium’s Debut, “Dalí”
Stevie Hawkins: “A Song For You,” A Raw Confession.
Unlocking the Self: DALE Ascends with “Vertigo”
Latest articles
Salatiel Reinvents A Classic With The “Weekend Amapiano (Remix)”
Euphoric Djent: Pentrilox Stuns With “Apotheosis: The New Frontier”
Eoin Shannon Pours a Glass of Heavy Sorrow on “Every Drunk’s Gotta Story”
Kiyan Foroughi Releases His Debut Concept Album “Inner Light.Outer Space.”
Ari Fraser Turns Quiet Heartbreak Into Cinematic Pop On “Where Have You Been”
Gee Scott Confronts the Chaos in “I’m Good”
Headmaster Blooms on “Seasons Vol.4, Spring”
Audren Rejects the Norm in “Smile, People Smile”
Shane Revers reveals all in his debut EP “Inside Room 17”
