This is the part of Music Arena Ghana where we discuss, write about, and evaluate new music from emerging musicians as well as those who are already well-known.
Dying Habit Channels High-Voltage Grit in “There Is No Sky”
The Bleak Barter of Rusty Reid’s “Piece of the Action”
“Still Sick”: Thain is Allergic to the Bullshit of Fame
AratheJay Drops “Put Am On God” Video As “The Odyssey” Reaches #2 On Apple Music
Drawing a Line in the Sand with Martin Yates’s “Now or Never”
Riax Delivers Floor-Shaking Catharsis on “Saved My Life”
Puck Breaks Free on Debut Single “Caricature”
A Song That Breathes Honesty: NBP Human’s “You Know Me”
Amelina’s “Step by Step”: Finding Gravity in Grit.
Kainine Finds His Anchor in “Grandmas Kitchen”
The Terrible Peace of Myles Sky’s “Goodbye Letter”
Nikiré’s “ETERNITY beneath the stars of God”: A Philosophy in Sound
The Fragile Beauty of GISKE’s “The Sound of Birdsong”
Latest articles
The Beautiful Contradiction of Hidden Shores and “Neon Silence”
Nothing Above Music and Love: Earth-o-Naut’s New Era
Udeigwe’s “Live In Williamsburg” Is A Raw Document Of Human Connection
Block’s “Over And Over” Is A Raw Nerve
The Mechanical Heart of SLAPPER’s “Into the Light”
Freddie Perry Celebrates Life’s Chaos in “WHAT EVEN IS LIFE?”
One Pulse: Luma Saint Unites the World with “All of Us”
A Synth-Pop Sanctuary: Lynney Williamson’s “I See You”
A Psychedelic Remodel: Ben Heyworth Revisits “Image of Roads”
