Home Blog Page 6

Beyond the Notes: Larry Karpenko’s Vision for Modern Music

Larry Karpenko  releases Little Things New ,Larry Karpenko  with Little Things New ,Larry Karpenko  drops Little Things New ,Little Things New  by Larry Karpenko ,Little Things New  from Larry Karpenko ,Larry Karpenko  musical artist,Larry Karpenko  songs,Larry Karpenko  singer,Larry Karpenko  new single,Larry Karpenko  profile,Larry Karpenko  discography,Larry Karpenko  musical band,Larry Karpenko  videos,Larry Karpenko  music,Little Things New  album by Larry Karpenko ,Larry Karpenko  shares latest single Little Things New ,Larry Karpenko  unveils new music titled Little Things New ,Larry Karpenko ,Little Things New ,Larry Karpenko  Little Things New ,Little Things New  Larry Karpenko
Beyond the Notes: Larry Karpenko’s Vision for Modern Music

Music possesses a remarkable ability to articulate emotions that often defy ordinary language. For Larry Karpenko, music serves as more than just creative expression—it’s a vehicle for inspiration, emotional connection, and authentic storytelling that resonates with his audience on a profound level.

Making Southern California his home base, Larry has been crafting songs that weave together themes of faith, love, and human experience since the late 1990s. While his earlier work explored spiritual and religious dimensions, his newest single “Little Things New” examines the universal experiences of love, heartbreak, and the transformative effect of finding someone who brings renewed meaning to everyday life.

“Little Things New” captures with striking clarity the emotional journey of healing and rediscovery. The song narrates the story of two individuals who, having weathered previous heartbreaks, discover love in a way that infuses even life’s smallest moments with fresh significance. Through its carefully crafted lyrics and emotionally resonant melody, the track delivers a genuine message about hope and renewal, serving as a reminder that love holds the potential to heal our deepest emotional wounds.

In our conversation with Larry, we explore the creative spark behind “Little Things New,” his songwriting approach, and the personal significance this particular track holds for him. We also delve into his musical influences, his evolving creative process, and what his listeners can anticipate in upcoming releases. Join us for this intimate look into the artistry and passion driving Larry Karpenko’s musical journey.

Listen to Little Things New below

Follow Larry Karpenko on

Facebook

Twitter

Spotify

Soundcloud

Bandcamp

Youtube

Instagram

 

Congratulations on your new single, Little Things New! Can you tell us the story behind the song?
“Little Things New” is a love story with a twist. A heart-crushed girl dreams of finding love. In a separate parallel reality we have a boy passionate to love a special girl. In a divine encounter they lock eyes and fall in love. Musically speaking, a bridge section carries us to a climax where we triumph in love’s unifying strength. Suddenly a final pre-chorus transports us to another time and place where only the listener can describe, to an ending that warms even the most skeptic critic’s heart.

Specifically, my sister-in-law was looking for just the right man in her life. After some searching, she eventually found him. Just before their wedding, I imagined their happiness together, and as part of her support team of friends and family, I could imagine the positive new energy from the couple’s union; lyrics fell into place.

What was the inspiration for Little Things New? Did it come from a personal experience or something more abstract?
As a songwriter I allowed my feelings, past and present to guide the narrative. Recalling excitement of falling in love, building anticipation for the listener, and contrasting those feelings with uncertainly and the dullness that can accompany life when your relationships aren’t secure. The phrase “little things new” was my creative way of saying “with you life is better” and answering the “why” at the same time.

The title itself is intriguing—what does Little Things New represent to you?
Little Things New is hope. Hope in humanity, hope in love, in relationships, in a better tomorrow. It’s an anthem to the hope we have in each other; that we as lovers and in community make life bearable and are better together.

Larry Karpenko  releases Little Things New ,Larry Karpenko  with Little Things New ,Larry Karpenko  drops Little Things New ,Little Things New  by Larry Karpenko ,Little Things New  from Larry Karpenko ,Larry Karpenko  musical artist,Larry Karpenko  songs,Larry Karpenko  singer,Larry Karpenko  new single,Larry Karpenko  profile,Larry Karpenko  discography,Larry Karpenko  musical band,Larry Karpenko  videos,Larry Karpenko  music,Little Things New  album by Larry Karpenko ,Larry Karpenko  shares latest single Little Things New ,Larry Karpenko  unveils new music titled Little Things New ,Larry Karpenko ,Little Things New ,Larry Karpenko  Little Things New ,Little Things New  Larry Karpenko
Little Things New is hope. Hope in humanity, hope in love, in relationships, in a better tomorrow.

How was the songwriting process for this track? Did it come together quickly, or was it something that evolved over time?
Pat Pattison, author of “Writing Better Lyrics” has influenced my songwriting style. One of my favorite elements is spotlighting words in any given phrase. For example, using a consonant adjective “shattered” in verse 1, line 1, to immediately draw in the listener. Another favorite element is when I allow love to be the hero, described in the bridge section that no matter what hardships the subjects face, love will carry them through; it allows the message to have universal appeal.

How does Little Things New compare to your previous work? Would you say it marks a new direction for you?
Little Things New demonstrates the beauty of emoting straight from the heart, passionate, bearing of soul on record, in a way that others can relate and love. As I reflect back on my earliest works many were on the topic of love, learning about love, in an attempt to understand love. Many of these song are unpublished sketches and incomplete works I keep in my journal and archival recordings. In some ways, Little Things New is a return to my original themes, now completed forms.

Who are some of your biggest musical influences, and did any of them shape the sound of this single?
My early influences include Peter Gabriel. I’m drawn in to his passionate lyric writing, accompanied with soulful vocal performances and his creative drive for collaborating with others to find new grooves and expressions. He incorporates many styles into his productions, and similarly has a wide appeal to listeners. Another influence is Steven Curtis Chapman. Steven has demonstrated how to incorporate faith and family based messages of hope into his work. Allowing songs to be hero’s of hope allows listeners to improve their conditions, in alignment with original intents of song and music.

What emotions or messages do you hope listeners take away from this song?
I would like listeners to take away several messages. 1)be okay waiting for their time to love, or be loved, by their special person 2)be hopeful that there are people we will encounter that make us better 3)look outside ourselves and observe good things around us and cherish those things.

Is there a particular lyric in Little Things New that holds special meaning for you?
I loved repeating “they’ll be one” three times. Why? Because the unity of beautiful people are meant to be cherished, so in this instance I spotlighted the idea and allowed repetition to evoke an emotional response at just the right moment.

Do you remember the exact moment when the idea for the song first came to you?
I was reflecting on my relationship with a dear friend and how they inspired me to look at life open minded, not get stuck in a rut, and be receptive to little “aha” moments; suddenly what was mundane was turned upside down and was fresh and new; my perspective changed; my outlook improved; I was experiencing love.

Will Little Things New be part of a larger project, like an EP or album?
In 2025 I am doing things different, including my release plan. I could release an album, many of my tracks in 2025 fit together nicely into a love concept project, but instead I’m showcasing a variety of styles and genres that integrate me as an artist. I’m on track to release one single per month for 2025 to lean in to sharing more about each track and the process behind the writing and producing.

If you had to describe Little Things New in three words, what would they be?
Connection, curiosity, community. Connection because we as humans want connection; we want to be understood and loved. Curiosity because new sparks of life await us at different unexpected times and places; if we can be receptive to these sparks, we can inspire and encourage others. Community because in community we gain our greatest strength and sense of self, our integrated and complete selves serve humanity with art, innovation, understanding and love.

Synth, Love, and Rock ‘n’ Roll: RISE’s Latest Anthem Shines

RISE  releases The Way You Make Me Feel,RISE  with The Way You Make Me Feel,RISE  drops The Way You Make Me Feel,The Way You Make Me Feel by RISE ,The Way You Make Me Feel from RISE ,RISE  musical artist,RISE  songs,RISE  singer,RISE  new single,RISE  profile,RISE  discography,RISE  musical band,RISE  videos,RISE  music,The Way You Make Me Feel album by RISE ,RISE  shares latest single The Way You Make Me Feel,RISE  unveils new music titled The Way You Make Me Feel,RISE ,The Way You Make Me Feel,RISE  The Way You Make Me Feel,The Way You Make Me Feel RISE
Synth, Love, and Rock ‘n’ Roll: RISE’s Latest Anthem Shines

Liverpool-based rock-synth outfit RISE delivers a powerful musical statement with their latest single, “The Way You Make Me Feel” is a vibrant fusion of atmospheric synths, dynamic guitar work, and emotionally resonant lyrics. The track perfectly encapsulates the band’s distinctive sound: confident, uplifting, and packed with arena-ready energy.

Frontman Sam Kinley (performing under the moniker stayMellow) brings remarkable presence to his dual role as vocalist and bassist, his voice navigating the song’s emotional landscape with precision.

The instrumental chemistry is equally impressive—Brian Petch’s textured guitar lines weave seamlessly with Paul Kinley’s expansive synth arrangements, while Alex Mahoney’s dynamic drumming drives the track forward with purpose.

What makes “The Way You Make Me Feel” particularly refreshing is its lyrical commitment to celebrating enduring relationships. In an age often dominated by songs about fleeting connections, RISE offers a mature perspective on love’s sustaining power, exemplified in straightforward yet powerful lines like “You smile and life’s OK.” Producer Rob Whitely deserves credit for his meticulous approach, creating a production that balances technical polish with authentic emotional impact.

With this release, RISE further cements their reputation as one of the most promising emerging forces in the alternative rock landscape

Listen to The Way You Make Me Feel

 

Follow RISE on

Spotify

Instagram

 

Jake Vera’s Sonic Love Story: Behind the Music of “Mine”

Jake Vera releases Mine ,Jake Vera with Mine ,Jake Vera drops Mine ,Mine by Jake Vera ,Mine from Jake Vera ,Jake Vera musical artist,Jake Vera songs,Jake Vera singer,Jake Vera new single,Jake Vera profile,Jake Vera discography,Jake Vera musical band,Jake Vera videos,Jake Vera music,Mine album by Jake Vera ,Jake Vera shares latest single Mine ,Jake Vera unveils new music titled Mine ,Jake Vera ,Mine ,Jake Vera Mine ,Mine Jake Vera
Jake Vera’s Sonic Love Story: Behind the Music of “Mine"

Jake Vera is a relatively new artist in alternative rock but his music already spreads across regions beyond his local area. Despite his few released singles Vera delivers a musical depth that makes him sound like a veteran artist. The new alt-rock anthem “Mine” from Jake Vera delivers passionate love sentiments through raw electric energy as he releases it during Valentine’s Day 2025.

Vera recorded this deeply personal song in his bedroom space yet made it explode into a stadium-sized anthem. Through his musical composition Vera unites intense bass lines with powerful drum beats and guitar melodies to produce music that explores both sorrowful moments and intense emotions. Through his range of vocal delivery from soft to intense he communicates both the delicate and intense emotions which stem from his love for his fiancée.

Vera draws inspiration from artists Deftones and Cloudyfield and Amira Elfeky to establish his distinctive musical style. The artist keeps releasing new music while planning his upcoming full-length album as he continues to build his musical career. Jake Vera met with us to explain how “Mine” came to life and his artistic methods while sharing his upcoming 2025 musical plans.

Listen to Mine below

Follow Jake Vera on

Spotify

Instagram

Tiktok

 

What inspired you to write “Mine,” and what message or story does the song convey?
I wrote the song as a love letter to my soon to be wife and how devoted I am to her. The lyrics seemed to just come as naturally as the vocal melodies did!

Can you walk us through your creative process for “Mine”? How did the song evolve from its initial concept to the final production?
I can’t really explain how, but the moment I heard the track, I immediately was able to envision the vocal melodies right away. The song just screamed “love song” to me for some reason, so that’s the route I decided to go with. I figured writing about my own loving relationship would not only be authentic, but make the whole process easier.

Your music blends various genres. How does “Mine” reflect your musical influences, and did you explore any new styles or techniques in this track?
Definitely a lot of obscure artists since the genres “Mine” falls under aren’t exactly mainstream. There’s obvious influences of Deftones but also some fast rising stars such as Cloudyfield and Amira Elfeky. The lyrics defintely take a lot of inspiration from their works.

Jake Vera  releases Mine ,Jake Vera  with Mine ,Jake Vera  drops Mine ,Mine  by Jake Vera ,Mine  from Jake Vera ,Jake Vera  musical artist,Jake Vera  songs,Jake Vera  singer,Jake Vera  new single,Jake Vera  profile,Jake Vera  discography,Jake Vera  musical band,Jake Vera  videos,Jake Vera  music,Mine  album by Jake Vera ,Jake Vera  shares latest single Mine ,Jake Vera  unveils new music titled Mine ,Jake Vera ,Mine ,Jake Vera  Mine ,Mine  Jake Vera
Definitely a lot of obscure artists since the genres “Mine” falls under aren’t exactly mainstream.

Does “Mine” hold personal significance for you? Are there particular experiences or emotions that influenced its creation?
Well seeing how it’s about my Fiancee, It’d be a bad sign if there wasn’t haha
The song is me probably at my most vulnerable and stripped down version of myself. Aside from the proclamation of my love for my Fiancee, “Mine” is a deeply personal song in regards to self expression.

Did you collaborate with any other artists or producers on “Mine”? If so, how did these collaborations influence the final product?
Yes, I worked with producer, AwfulDrama who’s extremely talented and super easy to work with! I didn’t even have to really touch the track at all since I felt it was perfect as is. I simply just wrote and recorded my parts and then mixed/ mastered everything else from there.

How does “Mine” represent your growth as an artist since your previous releases?
I think it really showcases my vocal talent like my other work but more notably, just how much emotion I can really convey into a song. It’s probably the most heartfelt song I’ve released so far.

What are your expectations for how listeners will respond to “Mine”?
I’d expect a gripping and intense journey for any first time listener, the song is just so addicting! But I’m biased haha
I’d hope listeners can relate to their own love lives or aspire to find that perfect someone, if they haven’t yet.

Are there any plans for a music video or visual content to accompany “Mine”? If so, what can fans expect?
No music videos in the works yet as I’m still currently writing and working on other music at the moment. I wouldn’t say never though. Maybe a lyric video at least in the near future!

Following the release of “Mine,” are there any upcoming projects or releases that fans can look forward to?
Ha well like I mentioned earlier, there definitely more songs to come! I’m wrapping up two songs now and am looking to work on two more afterwards. The plan beyond that, is to release a full length album so I may be radio silent for awhile aside form promoting my current released music. I plan on working on more music in other genres and including them all in said album as well! So stay tuned!

What do you hope listeners take away from “Mine,” and is there anything you’d like to share with your audience about this song?
There’s a special someone out there for everyone out there waiting for you! Be patient and you’ll find them when you least expect it! You’ll know when you’ve found them, trust me 🙂
Also, thank you so much from the bottom of my heart, to everyone who has listened to “Mine” and any of my other music!

Through the Looking Glass: Whitmell’s “Crack in My Window” Reviewed

Through the Looking Glass: Whitmell's "Crack in My Window" Reviewed
Through the Looking Glass: Whitmell's "Crack in My Window" Reviewed

Allyson Whitmell’s “Crack in My Window” arrived in my inbox, and honestly, my first thought was, “Is this the soundtrack to a particularly poignant cat food commercial?” But then, of course – because life loves a good plot twist – it wasn’t.

It is, in reality, Whitmell taking a swan dive into the murky waters of nostalgia, grief, and that weird feeling you get when you realize the chipped paint on your childhood windowsill held more emotional significance than your last three tax returns. Collaborating with Jono Hill and Ben Pelchat, the Canadian singer-songwriter gives us a single saturated in cinematic strings and, of all things, the potent aroma of goodbye. It’s pop, yes, but filtered through the lens of someone who probably knows the exact emotional weight of a single, perfectly placed diminished chord.

Through the Looking Glass: Whitmell's "Crack in My Window" Reviewed
Through the Looking Glass: Whitmell’s “Crack in My Window” Reviewed

The central theme here is a trap. A cage with a familiar view. Ever read “Waiting for Godot”? Whitmell seems to get that existentialist dilemma. She’s staring at that crack in the window, which suddenly takes a very meta shape, like a shattered mirror reflecting where we have been, feeling all the feels about leaving a place – or maybe a thing, or a person – even when that place smells faintly of mothballs and regret.

The piano is her anchor, sure, but it’s the solo violin that genuinely slices through the neat, pretty packaging. This isn’t some grand, sweeping gesture; this is like the precise cut that sets you free. Like that part in that old movie when it is finally time to step outside and face whatever monster is lurking.

It leaves you pondering: if our memories were physical objects, would we be hoarders? Or minimalists in emotional form?

Follow Allyson Whitmell on Website, Facebook, Instagram and TikTok.

Kaspar Baum’s ‘Groenland’: Cold, Dark, and Beautiful

Kaspar Baum  releases Groenland,Kaspar Baum  with Groenland,Kaspar Baum  drops Groenland,Groenland by Kaspar Baum ,Groenland from Kaspar Baum ,Kaspar Baum  musical artist,Kaspar Baum  songs,Kaspar Baum  singer,Kaspar Baum  new single,Kaspar Baum  profile,Kaspar Baum  discography,Kaspar Baum  musical band,Kaspar Baum  videos,Kaspar Baum  music,Groenland album by Kaspar Baum ,Kaspar Baum  shares latest single Groenland,Kaspar Baum  unveils new music titled Groenland,Kaspar Baum ,Groenland,Kaspar Baum  Groenland,Groenland Kaspar Baum
Kaspar Baum’s ‘Groenland’: Cold, Dark, and Beautiful

The Dutch indie-rock band Kaspar Baum will release their third album Groenland to the public in February 2025. Under the leadership of Erny Green Kaspar Baum has transformed into a distinguished musical act through his role as singer and songwriter and guitarist who guides the band toward atmospheric soundscapes and meaningful lyrics. The music world sees the band successfully maintain its individual space through their combination of post-punk elements with introspective subject matter.

The album title Groenland goes beyond environmental and icy descriptions to express a personal meaning. The recording team discovered the album name while finishing production by utilizing Green’s family name and to commemorate his upcoming 60th birthday. The album unintentionally transmits feelings of arctic desolation at a time when global hostility is high and the world exhibits an emotionally distant atmosphere.

In this current release the album moves its attention toward internal subject matters. The band explores personal themes on Groenland that take a different direction from their political sophomore release World Wide Willow (2024) by addressing addiction (“Fear”) and heartbreak (“Old House”) along with artistic life and existential questions.

The musical signature of Kaspar Baum persists through World Wide Willow with its characteristic basslines and complex guitar arrangements and natural jam sessions that reveal authentic emotional expression. A highlight of the album “Red is Beautiful” arose through spontaneous creativity during a moment of anger which demonstrates the band’s talent for creating outstanding music from adverse situations.

The making of Groenland became clearer when we interviewed Erny Green about the creative approach Kaspar Baum used to develop their songs alongside the development of Baum’s artistry and shifts in the global environment.

Listen to Groenland

Follow Kaspar Baum on

Facebook

Spotify

Soundcloud

Youtube

Instagram

 

The title “Groenland” immediately evokes images of vast Arctic landscapes.
What drew you to this theme, and how did it influence your creative process?
Well, actually we choose the title ’ Groenland ’ at the end of the proces. Even after the mastering was allready done….. Because my name is Erny ’Green’ and I was celebrating my 60th birthday we were hoping to find a reference with the word ’green’. Our first album was called ’ Vuurland ’ which is the most southern country of South America. So ’Groenland’ being the most Northern country on earth made total sense. Also representing the fact that our times grow colder every second nowadays… So pretty Arctic in that sense!

With environmental concerns about the Arctic becoming increasingly urgent,
does “Groenland” carry any broader message about climate and landscape?
Maybe indirectly, yes. But it is not a real topic on the album. Just a few days after we had choosen Groenland as a title, Donald Trump announced his plans for that country. So that immediately made our title look a bit political. Which the album isn’t…. But of course we are concerned like most of us.

What emotions or experiences were you hoping to capture in “Groenland”?
That’s something we never decide on before we start the writing proces. It’s more that we try to capture the emotions that are in the room while we jam. In hindsight I think you could say that the album turned out to be recalcitrant, dark and romantic.

How does “Groenland” represent your evolution as an artist? Do you see it as a
continuation of your established sound, or does it break new ground?
I released 13 albums over my career. I never intended to make something for the art’s sake. It was always about the story to tell. So in that sense the album is a new chapter in the story.

Kaspar Baum  releases Groenland,Kaspar Baum  with Groenland,Kaspar Baum  drops Groenland,Groenland by Kaspar Baum ,Groenland from Kaspar Baum ,Kaspar Baum  musical artist,Kaspar Baum  songs,Kaspar Baum  singer,Kaspar Baum  new single,Kaspar Baum  profile,Kaspar Baum  discography,Kaspar Baum  musical band,Kaspar Baum  videos,Kaspar Baum  music,Groenland album by Kaspar Baum ,Kaspar Baum  shares latest single Groenland,Kaspar Baum  unveils new music titled Groenland,Kaspar Baum ,Groenland,Kaspar Baum  Groenland,Groenland Kaspar Baum
I released 13 albums over my career. I never intended to make something for the art’s sake.

Our last (second) album for example (“World Wide Willow” , Feb. 2024) was more political than Groenland. When we started writing that album the war in Ukraine had just started and that surely had it’s impact on the process. There’s even a song called ‘War’ on that one. Groenland is more personal, I guess. There’s a song about heroine mis abuse (‘Fear’), one about divorce (“Old
House”), but also songs about the inadequacy of art (and the artist!) in general to make any sense at all. Deeply felt doubts about our vain existence on this lonely planet. There’s actually a statement in the song ‘Comes a Time Comes a Light” that makes it fully clear that this record is not about politics our climate:
“Environmental talk is hot
Another president is shot
I hear you masters care a lot
About all the ones the world forgot
I hear you’re worried, well I’m not
There’s many other things that I can cry for”

Your choice of sounds and arrangements on this album – could you walk us through some of the key musical decisions you made to convey the essence of Greenland?
The way Kaspar Baum works is pretty similar in most cases. I have some lyrics and maybe a melody. We start jamming and Jelmer (drums) and Erwin (bass) give the directions. That’s quite often a very Eighties (Post-Punk) based riff (especially the bass). Rempe (guitar) is all about the delicate esthetics of the songs.

When the riff is evolving, he won’t be available for 30 minutes, but always lands back on earth with the most beautiful melodies. Actually, the lyrics have to battle those lingering guitars, which gives Kaspar Baum that vibrant tension.

Can you tell us about a particular moment during the creation of “Groenland” that surprised you or took the track in an unexpected direction?
That was while writing “Red is Beautiful”. We had been jamming in our studio ( Vuurland Studio ) on a certain (kind of folky) theme for over an hour and got so bored and depressed with it that we were at the break of skipping the whole idea.

With only ten minutes of rehearsal time left we sort of dumped all our frustration in one last jam that was so fucked up that it had all the ingredients to finally make it work. I had all instruments miked out, so I was able to mess around with the jam in post-production. The result was something that we couldn’t have predict. It turned out to be the first single of the album.

Julia Kate’s “Fake Friends”: Real Talk, Reel Problems?

Julia Kate's "Fake Friends": Real Talk, Reel Problems?
Julia Kate's "Fake Friends": Real Talk, Reel Problems?

Julia Kate, a 20-year-old sojourner in the land of melodies (a.k.a. a songwriting student at Berklee), just dropped “fake friends,” and my initial reaction was… did a sentient Instagram filter write this? Not in a bad way. More in a “wait, is this the matrix?” way.

The song’s theme slaps you in the face, gently. It explores how, in our curated, perpetually-online existence, actual connection becomes this… elusive butterfly. Insincere friends? In this economy? Absolutely. The single delves into the gnawing loneliness that festers when your feed is overflowing, but your phone stays silent. You know, the existential dread punctuated by the occasional cat video. It’s new wave-infused pop, complete with all those shimmering synths which create an artifical surface. It is a perfect auditory landscape that embodies the lyrical themese of the music.

But back to this idea of superficiality. Isn’t artifice itself, kind of, a hallmark of, um, everything now? This got me thinking of that Marie Antoinette painting…

Julia Kate's "Fake Friends": Real Talk, Reel Problems?
Julia Kate’s “Fake Friends”: Real Talk, Reel Problems?

The song does not wallow, thankfully. There’s a current of “I’m deleting you, digitally and spiritually” running through it. The lyrics reflect feelings of being overlooked, taken advantage of, and misled by individuals who value superficial connections. The artist expresses a strong desire for liberation, from the suffocating grip of a shallow existence.

Have you ever contemplated the lifecycle of a dust bunny? The track could find some companionship in a sad dance playlist.

It’s pop, make no mistake. This is the soundtrack to shedding your skin – not in a gruesome, horror-movie way, but more in a “finally realized my self-worth” sort of way. “fake friends” whispers in your ear… Just kidding. I am NOT using that phrasing. Seriously though, what is a friend, really? Julia Kate leaves us there, questioning the fabric of our digital “relationships,” and maybe, just maybe, reaching for something real.

Follow Julia Kate on Website, Facebook, YouTube, Instagram and TikTok.

“Naima” Notes: AriSawkaDoria’s Jazzy Incantation

"Naima" Notes: AriSawkaDoria's Jazzy Incantation
"Naima" Notes: AriSawkaDoria's Jazzy Incantation

AriSawkaDoria. The name alone sounds like an incantation, a summoning of something… interesting. This trio—KJ Sawka, he of Pendulum and Destroid percussive prowess, Joe Doria, finger-dancing on the Hammond B3, and Ari Joshua, weaving guitar spells, it made no sense and perfect sense on paper. Their latest offering? A single, “Naima.” Coltrane’s “Naima.” Bold. Did someone order a plate of unexpected sonic delights? Because that’s approximately what I’ve been served.

It’s jazz, sure, but stretched and pulled like taffy in a funhouse mirror. You recognize the core—that gorgeous, haunting melody—but it’s viewed through this kaleidoscopic lens of modern jazz, acid jazz sensibilities and… is that a hint of downtempo chill? Yes, my friends, let’s lounge in its laid-back aura.

The emotional core of Coltrane’s original is absolutely intact. This isn’t some cold, technical exercise. The random, smooth interplay of guitar organ and drums created a unique juxtaposition, similar to a good red and some cheese.

"Naima" Notes: AriSawkaDoria's Jazzy Incantation
“Naima” Notes: AriSawkaDoria’s Jazzy Incantation

AriSawkaDoria isn’t recreating “Naima” so much as channeling its ghost through a prism of their combined experiences. There is respect, but there is a refusal to create something stale or predictable.

There’s a certain magic here, a serendipitous collision of talents and tastes. A feeling as comfortable as snuggling under an electric blanket for the first time.

This track proves something quite simple. The best tributes are the things that do what they’re designed to do, without question, fear, or favour, using everything in its right place and making it so simple. This leaves us wondering… what other spirits will they conjure next?

Follow AriSawkaDoria on Facebook, Twitter, Bandcamp and Instagram.

ANGELICA Bares Her Soul on ‘Lincoln Place’

ANGELICA Bares Her Soul on 'Lincoln Pl'
ANGELICA Bares Her Soul on 'Lincoln Pl'

ANGELICA, the Colombian-born, New Yorker— wait, wasn’t she a dancer? Yes, was. Now, she’s singing, and her latest single, “Lincoln Place,” produced by Marrick Smith and Ian Kimmel, dropped. And my first thought, unbidden, was: Why do pigeons always bob their heads?

Anyway, “Lincoln Place.” It’s a pop/R&B concoction, with a dreamy synth that makes you think you’re floating, until ANGELICA’s voice, all grounded and earthy, pulls you back. It’s like discovering a lost chapter of One Hundred Years of Solitude, if Gabriel García Márquez had a Spotify account and a penchant for heartache.

This song isn’t sunshine and rainbows. Oh no. It’s about love gone sour, betrayal, the kind that leaves a residue thicker than NYC humidity in July. It’s a musical rendition of that gut-wrenching “aha!” moment, when you realize your “forever” was just a fleeting mirage.
Two-timing, the lyrics. Ouch, It also the rug pull of realizing someone the spaker thought as a friend had something to do.

ANGELICA Bares Her Soul on 'Lincoln Pl'
ANGELICA Bares Her Soul on ‘Lincoln Pl’

The lyrics chart this awful cartography of disappointment, a map from blissful ignorance to the stark, brutal truth of infidelity. ANGELICA isn’t just singing; she’s conducting a masterclass in the acceptance of deception, the cruel art of letting go.

The fusion of genres somehow…works. You’re expecting the beat to drop into full-blown pop territory, but it hovers, almost hesitantly, mirroring the song’s thematic ambivalence. The soundscape complements the song´s thematic content.

Is it catchy? Yes. Will it make you rethink every relationship you’ve ever had? Probably. And for a moment, makes me think.

“Lincoln Place” might make you bob more than just your head—perhaps your entire perspective on trust and vulnerability. But, is it forever? Or just until the next song starts playing?

Follow Angelica Barrera on Instagram and TikTok

“It’s You” Who? Thomas And The Angry Hearts’ Mystery Muse

"It's You" Who? Thomas And The Angry Hearts' Mystery Muse
"It's You" Who? Thomas And The Angry Hearts' Mystery Muse

Right. So, Lillestrøm. Norway. Land of… well, apparently, intensely yearning folk-rock anthems now. Thomas And The Angry Hearts, shepherded into existence by Ronni Le Tekrø (of TNT fame, remember explosions?), have dropped “It’s You,” and the title isn’t kidding. The whole thing is an extended, sometimes dizzying, ode to someone.

This isn’t a casual, “hey, you’re nice” kind of thing. This is full-blown, operatic (in a 70s folk-rock way, mind you, think Hooters but add a dash of… I don’t know… a Viking longship?). The lyrics, fronted by Thomas, naturally. Then we’ve got Hilde, Stig, Nils, and Leiv-Rune along for the ride, speak of sailing oceans and walking with royalty. Big dreams, classic stuff. All fueled it seems by a burning quest to share and experince, to find, well…you.

And who is this “you”? A lover? A muse? A forgotten chess piece found under the sofa cushion of life? The album doesn’t offer a definitive answer, keeping this mysterious ‘you’ is central to this album’s draw.

"It's You" Who? Thomas And The Angry Hearts' Mystery Muse
“It’s You” Who? Thomas And The Angry Hearts’ Mystery Muse

But here’s the kicker, tucked within the layers of soaring, U2-esque guitar lines and a sound that wouldn’t be out of place in 1992 (and I mean that in a good way!), there’s an element that feels very raw. Lines like “how will we make amends, try to send your child away” adds, an unexected shade to the whole experience.

It’s this constant push-pull between grand ambition – the singalongs, the imagined crowds, the sheer scale of it all – and this raw, almost desperate plea hidden, embedded, stitched into the heart of this quest, it is both grand and a whisper.

There is an unfulfilled yearning with, and for “you”, and this gives “It’s You” a haunting, almost paradoxical quality. Thomas and the Angy hearts, are angry about somthing, is it because of ‘You’?

Are we all just searching for our own “you?”

Follow Thomas And The Angry Hearts on Website and Facebook.

Supra Nova’s Super-Nova: An Explosive Love/Hate Relationship

Supra Nova's Super-Nova: An Explosive Love/Hate Relationship

Supra Nova. Caleb Loomis. I Love You, I Hate You. Names and titles, huh? They sit there, inert, until sound breathes meaning – or utter confusion – into them. And this… this single from the Salt Lake City artist? It’s confusion, alright. The kind that grabs you by the throat and whispers…no wait, can I use whisper… screams sweet, violent nothings into your ear.

The press release says, “emotional duality.” Understatement. It’s less a tug-of-war and more a full-body slam into the concrete wall separating affection and annihilation. The song, an industrialized cyberpunk dark-pop fever dream, is all sharp edges and synthetic sinews. It’s the sound of heartbreak played on a broken circuit board, glitches and synth waves contorting into… love? Hate? Who even knows anymore? The lyrical content is a minefield of juxtaposed tenderness, violent, raw power, and chilling repetition. The shift between dominance and complete submission occurs nearly at random, with lines such as “I adore you I’ll destroy you,” “I’ll carve my name into your mind.”

Candy. Lips. Serpent. Kiss.

It’s like stumbling into a deleted scene from Blade Runner, where a replicant discovers codependency and a chainsaw. There are echoes of early Nine Inch Nails, but…demented, I don’t know, has anyone actually read the Marquis de Sade while listening to Depeche Mode? It feels like that kind of uncomfortable, an almost beautiful horror.

Supra Nova's Super-Nova: An Explosive Love/Hate Relationship
Supra Nova’s Super-Nova: An Explosive Love/Hate Relationship

The central theme is possessive and destructively volatile, this toxic, almost horrific and ravenous adoration that erases boundaries, a vortex that consumes everything that dares come near, including, and perhaps especially, its originator.

Loomis throws cyberpunk, industrial, and a dash of glitch into a blender. With what, exactly? He hasn’t invented a new genre. But there’s a visceral, almost theatrical intensity here. He’s crafted, no. Forged. Forged something sharp and dangerous, something.

This feeling…did Supra Nova / Caleb Loomis just mainlined humanity’s darkest impulses directly into a synthesizer? Where do you even file that?

Follow Supra Nova on YouTube and TikTok.

Hatching Harmonies: Reinis Jaunais Builds a “Nest”

Hatching Harmonies: Reinis Jaunais Builds a "Nest"
Hatching Harmonies: Reinis Jaunais Builds a "Nest"

Right, so, Reinis Jaunais. Latvian, guitar-slinger, world-wanderer… makes sense that his new album, “Nest,” feels like opening a suitcase overflowing with… things. Not junk, mind you. More like… carefully curated curiosities. Eleven songs, eleven postcards from somewhere just beyond the familiar.

It’s world music, yes, but not in the dusty, anthropological sense. Think more… progressive fusion. A touch of the acoustic guitar played in that percussive almost dancing style, you see it in every track, a base for the other players. Erna Daugaviete’s cello weaves in and out like a ribbon caught in a gentle breeze, while Andris Buiķis on drums and Jānis Rubiks on double bass are, I don’t know. doing that job that bass and drums are made to do, lay the groundwork and do it well! And then you have Harijs Ločmelis, who knows? Possibly he knows his trumpet and the music that should come out, or perhaps someone whispered to him.

EIII, is also present adding electronic flourish. Because of course there’s an electronic music producer. Why not? This album asks “why not?” a lot, I think.

Hatching Harmonies: Reinis Jaunais Builds a "Nest"
Hatching Harmonies: Reinis Jaunais Builds a “Nest”

The theme? Sentimental fusion, drawn from travel, it appears. Isn’t it all, at some level? We gather, we collect, we carry, we return. Are we, perhaps, like those migrating birds, building our own “Nests” of sound and memory? Or, you know, maybe it’s a nice tune to put when you are bored of that weird jazz album that your friend said was genious.

The relaxing, calming, acoustic plays sound pretty, even surprisingly, soothing.

It’s genuinely a pleasant experience, listening to “Nest.” Beautiful is not really, I use too many words I tend not to be keen on. But yes, at the risk of using a “horrible” word. It is, beautiful!

Ultimately, “Nest” doesn’t quite demand your undivided attention, and paradoxically, that’s part of its charm. Is Reinis Jaunais onto something, or is something onto him? Perhaps both are true.

Follow Reinis Jaunais on Website, Facebook, Twitter, Bandcamp, YouTube and Instagram.

Turning Pain into Art: The Story Behind ‘Lemonade’

Astrik Eminian  releases Lemonade,Astrik Eminian  with Lemonade,Astrik Eminian  drops Lemonade,Lemonade by Astrik Eminian ,Lemonade from Astrik Eminian ,Astrik Eminian  musical artist,Astrik Eminian  songs,Astrik Eminian  singer,Astrik Eminian  new single,Astrik Eminian  profile,Astrik Eminian  discography,Astrik Eminian  musical band,Astrik Eminian  videos,Astrik Eminian  music,Lemonade album by Astrik Eminian ,Astrik Eminian  shares latest single Lemonade,Astrik Eminian  unveils new music titled Lemonade,Astrik Eminian ,Lemonade,Astrik Eminian  Lemonade,Lemonade Astrik Eminian
Turning Pain into Art: The Story Behind “Lemonade”

The upbeat melodies of “Lemonade” by Astrik Minian  hide a significant deeper message. The happy tone of “Lemonade” actually tells a story about how artists can overcome challenges while expressing their artistry. During this conversation we talk with the Lemonade artist to discover everything about how she developed this song both creatively and personally and what inspired her creation.

Our guest migrated from Yerevan Armenia to Montreal where she uses her artistic talent to weave together different musical elements and emotions. During her hospital stay in 2016 she jotted down the seeds of “Lemonade” onto a yellow note pad. The track traveled through time before a reliable producer received it to transform into the sensational song which South Korean fans have embraced worldwide.

This artist proves her ability to transform continuously through her life experiences. The writer with training in creative writing brings together multiple musical styles including metal while converting her life experiences into artistic expression through new musical frontiers. The documentary explores the creative process behind “Lemonade” as well as upcoming projects such as a music video that delves into personal stories about Armenia.

The artist takes the stage to deliver her own insights in the following section.

Watch to Lemonade

Follow Astrik Eminian on

Youtube

“What inspired you to write “Lemonade,” and what message or story does the song convey?

I know that this song sounds very cheerful, and it is. But as strange as it sounds, immense suffering is what inspired me to write this song. We can be the prisoners of our minds, if we let ourselves be. But there is freedom within reach…if we don’t blindfold ourselves in front of the light peaking through the crack in the darkness. No matter what societal conditioning tells us or does to us, dreams are always within reach.

Can you walk us through your creative process for “Lemonade”? How did the song evolve from its initial concept to the final production?
When I write songs, it’s because the melody and the lyrics come to me at the same time. I hear the whole thing clearly. I don’t take credit for my music – inspiration comes from up above and I am not the only artist who will say this.

I wrote this song at a hospital. On a yellow notepad with a pen that my ex boyfriend had brought me. Then, I recorded a voice memo of my vocals in my phone in order not to forget the melody. This was in 2016. About five years later, I took the voice memo and the lyrics along with my vision for the song to my favourite producer in Montreal, and shortly thereafter “Lemonade” became my second single.

Your music is known for blending various genres. How does “Lemonade” reflect your eclectic musical tastes, and did you explore any new styles or techniques in this track?
“Lemonade” is a very pop song. The genre pop, I would say, is my home base. However, I don’t discriminate genres – I love all of them and I feel comfortable singing any genre. Even metal. I love metal. Although, when I was a teenager, I once auditioned for a metal band and when they asked me to growl, I simply sang haha. They wanted me to growl like “Arch Enemy.” But I sang a song by “Nightwish,” since I am a soprano and I love opera as well. Naturally, I wasn’t a good fit for them.
I would also love to collaborate with rap artists in the future, although I cannot rap myself.

Does “Lemonade” hold a personal significance for you? Are there particular experiences or emotions that influenced its creation?
Resilience. The more they try to tear me down, the more I roar like a lioness. I am an alchemist – I can turn anything into gold. The worse the experience, the more precious the metal. I will turn gold into platinum. And so on…the possibilities are endless. The world is my oyster.

We come here to learn, to evolve, to grow…but most of all to create and to recognize and remember who we truly are. We are all creators. We are all eternal Spirit in temporary form. We are, in fact, limitless.How have listeners responded to “Lemonade” since its release? Have any reactions or interpretations surprised you?
“Lemonade” seems to me to be my most loved song by the general public. It has the most listeners worldwide and especially in South Korea.

Did you create any visual content, such as a music video or artwork, to accompany “Lemonade”? If so, how do these visuals enhance or complement the song’s themes?
A professional photographer took a series of photos of me for the cover of the single. He is the one who chose which photo would become the cover of the single. The photoshoot included a lot of yellow: yellow bathing suit, yellow scarf, yellow sun hat, yellow sunglasses, yellow manicure, and a lemon martini. Yellow representing lemons of life being alchemized into sweet lemonade – sunshine. Who doesn’t love the summer sun? We had a blast during the photoshoot.

I had then envisioned the filming of the music video in Bali, Indonesia. I was going there for work anyway, and it seemed like the perfect time and place. However, it just wasn’t working out at first. The company I had in mind did not respond to me. One day I called a “Gojek” – the local “Uber.” I was going to take a ride to go see the beautiful Hindu temples on the serene beaches of Bali. I quickly became friends with the Balinese driver because he was so absolutely kind and friendly! He accompanied me to the temples, then he took me to a bar where he asked the bartender to play “Lemonade” in LOOPS haha and then we went for dinner, where his Italian friends joined us. We were enjoying our discussions with some wine, when suddenly the Italian guy told me that the following day, his friends are filming a music video! Now…I only had one day left in Bali and this sounded crazy, but I saw an opportunity here and adventure was right up my alley: I was going to film my video the day before departing. It was written in the stars. And so it was…I hired the crew on the spot and we filmed in beautiful Uluwatu and Nusa Dua. It was an unforgettable, magical, mystical experience frozen in time. And it shows that there is Divine Timing (the Greek word is ‘Kairos’) for everything. Lemonade is made when the lemons are ripe. 😉 Not a minute sooner.

Astrik Eminian  releases Lemonade,Astrik Eminian  with Lemonade,Astrik Eminian  drops Lemonade,Lemonade by Astrik Eminian ,Lemonade from Astrik Eminian ,Astrik Eminian  musical artist,Astrik Eminian  songs,Astrik Eminian  singer,Astrik Eminian  new single,Astrik Eminian  profile,Astrik Eminian  discography,Astrik Eminian  musical band,Astrik Eminian  videos,Astrik Eminian  music,Lemonade album by Astrik Eminian ,Astrik Eminian  shares latest single Lemonade,Astrik Eminian  unveils new music titled Lemonade,Astrik Eminian ,Lemonade,Astrik Eminian  Lemonade,Lemonade Astrik Eminian
I was going to film my video the day before departing. It was written in the stars.

Following “Lemonade,” are there any upcoming projects or releases that fans can look forward to? How does this single fit into your broader artistic vision?
I have released 3 singles since “Lemonade” — “Armenia,” “Gypsy Soul,” and “Malibu Beach.”
I am currently working on the production of the music video for my song “Armenia,” which is about war & peace. It’s about the resilient Spirit of an ancient nation. The nation that has contributed and continues to contribute so much to our planet.

And yet, often, this nation is taken for granted. It has been so throughout history. But we were there long before the birth of Jesus Christ, and we are here now. As the very first nation who officially adopted Christianity. Even before the Romans. We are the nation with the oldest wineries of this planet. We brought wine to the Earth! Many of our allies and enemies have come and gone. The names of their lands are only in history books now. Such as the Hittites, for example. Yet here we are. Resilient as always.

The Armenian national musical instrument “Duduk,” which is made of apricot tree wood, captures the melancholy I wanted to convey through this song. It is, after all, the nation that endured the first Genocide of the 20th century, perpetrated by the Ottoman Empire. Sadly, modern day Turkey has not yet recognized its past. And neighbouring Azerbaijan, supported by Turkey financially, declared war once again in 2020…in the middle of the pandemic.

Shortly thereafter, they occupied the independent Republic of Artsakh, and deported its Armenian citizens. My upcoming music video is going to be about this subject and it will be released in the summer of 2025.
Each song is always very different. I can never tell which genre my next song will be. But we can say that pop is the dominant genre.

Since your move from Yerevan to Montreal in 1999, how has your music evolved, and in what ways does “Lemonade” represent your growth as an artist?
Growth and evolution are a continuous ad infinitum process. There is no end to it.
I was 13 years old when I left Yerevan, Armenia. I used to write a lot of short stories in Russian and in Armenian back in Yerevan, but it wasn’t until I was about 16-17 that I began composing music on the piano, which I can play by ear. In 2018, I decided to start recording and releasing my music. And so I did. I will never stop. “Lemonade” represents only the beginning to me. I have a closet full of unreleased materials yet to manifest into reality.

Being both a musician and an author, how do these creative outlets influence each other? Did your writing experience play a role in crafting the lyrics for “Lemonade”?
It all comes from the same place. The inspiration, I mean. When the inspiration comes, a certain information about the form and medium come along with it – I just know intuitively when it is a song, a poem, or a novel. I am currently working on editing hundreds of poems I have written. My first book of poetry called “A Bed of Black Roses” will be published this year. I have also written a novel, which I am not yet ready to publish.

What do you hope listeners take away from “Lemonade,” and is there anything you’d like to share with your audience about this song?
There is always light at the end of the tunnel – and that light is not only within reach – but it is within you. We are the light we seek. We are the guiding compass. It has been said that when we quiet the mind, the soul will speak. Well, our only true essence is the soul. And the mind is merely its servant. The mind must listen to the soul.

For we are not our minds. This entails that all suffering is temporary. The pendulum always swings. Knowing this while suffering brings peace. A state of stillness. And this is the message of this song…that no matter what negativity arises, that which is our guiding compass is the source of all inspiration and hope. And a lotus cannot bloom without the mud.
Many thanks and blessings your way.

Fighting Hate with Sound: Clare and Jade’s ‘BURN THE SWASTIKA’

Clare Easdown  releases BURN THE SWASTIKA,Clare Easdown  with BURN THE SWASTIKA,Clare Easdown  drops BURN THE SWASTIKA,BURN THE SWASTIKA by Clare Easdown ,BURN THE SWASTIKA from Clare Easdown ,Clare Easdown  musical artist,Clare Easdown  songs,Clare Easdown  singer,Clare Easdown  new single,Clare Easdown  profile,Clare Easdown  discography,Clare Easdown  musical band,Clare Easdown  videos,Clare Easdown  music,BURN THE SWASTIKA album by Clare Easdown ,Clare Easdown  shares latest single BURN THE SWASTIKA,Clare Easdown  unveils new music titled BURN THE SWASTIKA,Clare Easdown ,BURN THE SWASTIKA,Clare Easdown  BURN THE SWASTIKA,BURN THE SWASTIKA Clare Easdown
Fighting Hate with Sound: Clare and Jade's 'BURN THE SWASTIKA'

In a time when confronting racism is more critical than ever, Clare and Jade have crafted a blistering anthem of resistance with their single “BURN THE SWASTIKA.” Drawing inspiration from punk legends like Bikini Kill, Fugazi, and Amyl and the Sniffers, the track is a bold, unflinching statement against the rise of neo-Nazi groups in Australia.

The song’s provocative title speaks to the urgent need for direct action against hate, while the raw sound captures the intensity of their message. Created in Clare’s Menai home, this DIY effort reflects their commitment to activism, using music as a weapon to combat the spread of racism.

We sat down with Clare and Jade to discuss the personal and political forces behind the track, their creative process, and the message they hope to inspire. From confronting the resurgence of neo-Nazi rhetoric on Australian streets to making their voices heard in a climate where silence can often equate to compliance, this interview dives deep into their mission to challenge hate head-on.

Watch BURN THE SWASTIKA

Follow Clare Easdown on

Facebook

Spotify

Soundcloud

Bandcamp

Youtube

Instagram

The title “BURN THE SWASTIKA” is incredibly powerful and direct. What motivated you to create a song with such a bold statement?
Basically, in order to combat the overtly racist and in your face statements by the neo-nazi’s I felt BURN THE SWASTIKA needed punch and just as much a bold rebuttal. The fact that people still are happy to call themselves neo nazi’s is baffling to us and needs to be challenged directly.

Can you discuss the historical and emotional context that inspired this track? What message are you hoping to communicate through this song?
Currently in Australia, there are neo – nazi groups marching on the streets drawing the exact same ideas from the 1940’s. We find this deeply disturbing and we feel it is a no brainer to cover this atrocity in our music making. They are sporting swastika’s and yelling about how Australia is a man’s land at peaceful indigenous rallys, completely ignoring historical context of how Australia is Indigenous land.

Music has often been a platform for social commentary and protest. How do you see “BURN THE SWASTIKA” fitting into that tradition of artistic expression?
In our current political climate where many people are defending the actions of self proclaimed neo – nazi’s we feel it essential to counteract this. We feel that staying silent is perpetuating the issue and a form of compliance.

Clare Easdown  releases BURN THE SWASTIKA,Clare Easdown  with BURN THE SWASTIKA,Clare Easdown  drops BURN THE SWASTIKA,BURN THE SWASTIKA by Clare Easdown ,BURN THE SWASTIKA from Clare Easdown ,Clare Easdown  musical artist,Clare Easdown  songs,Clare Easdown  singer,Clare Easdown  new single,Clare Easdown  profile,Clare Easdown  discography,Clare Easdown  musical band,Clare Easdown  videos,Clare Easdown  music,BURN THE SWASTIKA album by Clare Easdown ,Clare Easdown  shares latest single BURN THE SWASTIKA,Clare Easdown  unveils new music titled BURN THE SWASTIKA,Clare Easdown ,BURN THE SWASTIKA,Clare Easdown  BURN THE SWASTIKA,BURN THE SWASTIKA Clare Easdown
We feel that staying silent is perpetuating the issue and a form of compliance.

Were there specific personal experiences or historical narratives that influenced the creation of this single?
There have been heaps of times where both of us have witnessed people being incredibly racist in Australia. From sly comments from people we know personally, to neo-nazi’s marching the streets of Adelaide. This is still unfortunately a huge issue that desperately needs to be combatted immediately.

The choice of such a provocative title suggests this is more than just a musical piece – it seems to be a statement. Can you elaborate on the artistic intent behind the song?
The intent is to obliterate racist ideology of all kinds. We want to fight against racism in a direct and confrontational way. We feel that it is essential to speak up when such derogatory and racist acts are being thrown in our face.

How do you balance the emotional weight of the subject matter with the musical composition?
The lyrics are very cut throat and to the point. We wanted a composition that matched this intensity and energy giving it a really loud and overt kick. The intent is so it won’t be ignored and the message delivered with clarity.

What conversations do you hope this single will spark among listeners?
The acknowledgement that neo-nazi’s are still roaming the streets. It’s 2025 and the same rhetoric is still being spewed and sprawled all over the streets and social media. What is also frightening is that there are commenters supporting these acts of racism and we want to try to nip this racist behaviour in the bud with BURN THE SWASTIKA.

As an artist, what responsibility do you feel in addressing complex historical and social themes through music?
Staying silent and not having a stance when you have a musical platform seems ridiculous to us. When we have a voice we feel we need to use it. It shouldn’t be seen as complex or out there to combat racism.

Can you walk us through the creative process of developing a track with such a charged message?
It’s pretty simple really. I saw some Neo-Nazi’s on the news marching in the streets at a peaceful Indigenous rally and opened my notes and started writing. We then smashed the track up pretty quickly really, infact from the time Jade started writing it till we mastered it was about an hour.

Beyond the immediate emotional impact, what long-term understanding or reflection are you hoping to inspire with “BURN THE SWASTIKA”?
In the long term future we hope that it is no longer necessary to have to create music of this nature. We would hope that racism would be a thing of the past.

 

Don’t Be a Silly “Sally”, Listen to Kelsie Kimberlin’s Seriously Catchy Single!

Don't Be a Silly “Sally”, Listen to Kelsie Kimberlin's Seriously Catchy Single!
Don't Be a Silly “Sally”, Listen to Kelsie Kimberlin's Seriously Catchy Single!

Alright, buckle up buttercups, because Kelsie Kimberlin’s new single, “Sally,” just landed, and it’s… well, it’s a thing. A brightly colored, intensely felt, pop-fueled thing. Genre? Pop, straight up, with Kimberlin’s voice front and center. No surprise there, she’s described as an “American pop sensation,” after all.

The core of “Sally” orbits around the heavy stuff: clawing your way back from the abyss of mental health challenges, finding strength after loss, and the particular resilience of girls facing the horrors of war. That’s a lot to pack into one pop song. Did she achieve it? It depends.

The journey presented in the song is … stark. It is about, a girl named Sally I am assuming, transforming from shattered to…sexually liberated. That’s the arc. Despair to empowerment, with a rather large emphasis on the, ahem, physical expression of that empowerment. Did I just stumble into a discussion about Flemish tapestries? No? Okay, moving on.

Don't Be a Silly “Sally”, Listen to Kelsie Kimberlin's Seriously Catchy Single!
Don’t Be a Silly “Sally”, Listen to Kelsie Kimberlin’s Seriously Catchy Single!

It’s like she found a hidden trapdoor in a cathedral and decided to redecorate it with neon paint. It’s jarring, sure. But is it effective? The contrast presented, between the traumatized beginning and the… confident ending… is undeniably potent. I think that at least she is saying something real here, but at the same time, what if socks made great hats? Think about it, they already conform to foot-shape, easy change for the cranium…

The music itself, it’s pure pop, meticulously crafted. But the theme… it feels like Kelsie Kimberlin handed us a jigsaw puzzle where half the pieces are from a serene landscape and the other half are…well… from a completely different puzzle. One you might find locked in a drawer labeled “Do Not Open Until the Apocalypse.”

So, is “Sally” a triumph? A confusing misstep? Maybe it’s both, swirling together like a particularly potent cocktail of hope and… well, you know. What does a cloud sound like when nobody is there to film it?

Follow Kelsie Kimberlin on Website, Facebook, Twitter and Instagram.

Adam Brice Delivers Raw Emotion on “Never Is Too Late”

"Never Too Late" to Pay the Brice: Adam's New Album
"Never Too Late" to Pay the Brice: Adam's New Album

Adam Brice’s “Never Is Too Late” landed on my desk – or, rather, materialized in my digital ether – and I’ve been wrestling with its echoes ever since. It’s a curious beast, this album. Part rock anthem, part campfire confessional, with a splash of country twang that somehow doesn’t feel out of place, which has themes running circles like wild horses, settling down around Persistence, passion, and all those dusty dreams we stuff in the attic.

The title track, “Never Is Too Late,” dives headfirst into the bittersweet ache of a hidden love. And isn’t it odd? How can two humans feel complete freedom in a jail built from glances. Brice seems to grab this contradiction and present in a rock music setting.

“Something To Hold” extends a hand, a sturdy musical oak tree in a world of swirling leaves, to somebody with strenght and a bit of vulnerability. It acknowledges that even the strongest oak needs an occasional, gentle rain. Then, flipping the script completely,”Better Together” is the musical equivalent of that feeling. Pure sun.

"Never Too Late" to Pay the Brice: Adam's New Album
Credit: Nate Hill Photography

And sometimes you just need to rewind the story to get to chapter. I thought about old Vinyls collections. “Back To You” shows clearly this musical rewind concept with the search of power coming back to Love and family.

Finally, “A Life She Left Behind” struck me as the emotional core of the collection. There’s the taste of choices, there are new and better choices ahead. And I asked to myself who never left behind lifes before.

This Australian singer-songwriter’s blended modern rock has heart, with themes full of yearning. And while it is his goal or not, somehow It’s kind difficult not to think that his “Never Is Too Late,” it isn’t just a matter of music notes. It makes me reflect about this type of thing… like forgotten aspirations. It feels like… well… Life.

Follow Adam Brice on Website, Facebook, Bandcamp, YouTube and Instagram

Ozzient Declares “Peace, Not War” – And It Sounds Anciently Modern.

Ozzient Declares “Peace Not War” - And It Sounds Anciently Modern.
Ozzient Declares “Peace Not War” - And It Sounds Anciently Modern.

Okay, so, you’ve got music hitting your eardrums. Sometimes it’s like a rogue pigeon landing right outside your window – startling, unexpected, but maybe interesting? Ozzient’s “Peace, Not War” single feels a little like that pigeon, only this one’s carrying a tiny, insistent megaphone yelling about, well, peace and not war. Obvious, sure, but when was the last time obvious actually soaked in?

This track is less a smooth ride, more a cobbled street, deliberately uneven. Chairman Allen kicks things off, voice a little like urgent news broadcast, sketching out the societal landscape in stark, unflinching strokes. Political edge, absolutely, like a flyer slapped on a lamppost, impossible to ignore. Then, something shifts. Ozzient, the architect of the beat-scape, surprisingly steps out of the shadows, vocals weaving in for the hook. It’s a change of pace, a breath of fresh air amidst the activism – almost as if the producer is saying, “Hey, I’m in this too.”

And then TREVMENTAL arrives. Imagine switching channels on an old radio – suddenly you’re in a different space, more contemplative, the perspective tilting towards the spiritual. It’s a smart move. Peace, it seems, isn’t a one-note chord; it’s got political urgency, producerial solidarity, and spiritual grounding all rattling around in its sonic pockets.

Ozzient Declares “Peace Not War” - And It Sounds Anciently Modern.
Ozzient Declares “Peace Not War” – And It Sounds Anciently Modern.

The message? Crystal clear. We’re all tangled up in something messy – war, greed, the usual suspects. But the untangling, apparently, begins inside each of us. Think less grand revolution, more personal re-wiring. It’s a bit like trying to fix a global problem by first tidying your own room – maybe slightly chaotic logic, but there’s a certain stubborn, human sense to it.

It won’t solve everything, no single song ever does. But “Peace, Not War” drops a pebble in the pond, and the ripples… well, they’re worth watching. Or rather, listening to.

Follow Ozzient on Website, Facebook, Twitter, YouTube, Instagram, TikTok.

Rebecca Helen’s “Patterns In The Sky”: Grief, Mapped

Rebecca Helen's "Patterns In The Sky": Grief, Mapped
Rebecca Helen's "Patterns In The Sky": Grief, Mapped

Rebecca Helen’s new single, “Patterns In The Sky,” landed in my inbox, and honestly, I wasn’t expecting… this. This rising star from Cape Town – indie-pop, they say – has bottled something raw, something that spills out of the speakers and pools around your feet.

The theme? Grief. But not the movie version, with artfully placed single tears. This is the messy, inconvenient, “why did I leave the laundry in the dryer?” kind of grief. Helen somehow navigates the agonizing pain of loss, singing in a way that connects deep into ones sole. She croons of enduring love and memory, her words a desperate, beautiful attempt to piece together something shattered. Remember that feeling when you first saw Van Gogh’s “Starry Night?” It had me a similar, with a disorienting blend of beauty and utter chaos, it felt not so far off.

The song’s indie-pop bones support a surprisingly sturdy structure.

Rebecca Helen's "Patterns In The Sky": Grief, Mapped
Rebecca Helen’s “Patterns In The Sky”: Grief, Mapped

There are moments of profound lyrical simplicity that hit harder than any complicated metaphor ever could. Which made me think— do butterflies ever get lost? Probably not. They just go where the wind takes them, which in a way makes them far braver than me.

What’s surprising isn’t that Helen explores the idea of hope amidst the wreckage; It is the visceral way she conveys the hope for a connection that refuses to be severed by physical absence. It made my left ear itch. It feels personal, deeply human, I could picture my grandfather, whom I never met.

“Patterns In The Sky,” is a song that embraces the cracks and the echoes left behind. Will Rebecca Helen, and “Patterns In The Sky” fill stadiums? I’m pondering the profound significance. Maybe. And perhaps that’s the entire point.

Follow Rebecca Helen on Facebook, YouTube, Instagram and TikTok.

Groove Moose Brings Feel-Good Energy with “Let Me Shake You”

Groove Moose  releases Let Me Shake You,Groove Moose  with Let Me Shake You,Groove Moose  drops Let Me Shake You,Let Me Shake You by Groove Moose ,Let Me Shake You from Groove Moose ,Groove Moose  musical artist,Groove Moose  songs,Groove Moose  singer,Groove Moose  new single,Groove Moose  profile,Groove Moose  discography,Groove Moose  musical band,Groove Moose  videos,Groove Moose  music,Let Me Shake You album by Groove Moose ,Groove Moose  shares latest single Let Me Shake You,Groove Moose  unveils new music titled Let Me Shake You,Groove Moose ,Let Me Shake You,Groove Moose  Let Me Shake You,Let Me Shake You Groove Moose
Groove Moose Brings Feel-Good Energy with “Let Me Shake You”

Groove Moose takes listeners on an expansive musical journey with Let Me Shake You, a near seven-minute southern rock epic that masterfully combines warm acoustic textures with dynamic percussion and soaring melodic lines. The track pulses with an infectious positivity, striking a delicate balance between contemplative moments and energetic drive.

The songwriting partnership of Bobby and Zack delivers a message that resonates deeply—an outstretched hand to those navigating difficult times. When they sing, “Let me shake you, heard you were feeling down… Let me wake you up and lift you off of the ground,” the sincerity in their delivery transforms simple words into a powerful anthem of support and perseverance.

The band’s tight-knit chemistry is evident throughout the track’s arrangement. Beginning with a foundation of rich acoustic guitar, the song builds organically as lead guitar and percussion weave into the mix, creating an irresistible rhythmic tapestry. The composition reaches its peak with an electrifying two-minute guitar solo that showcases the band’s rock credentials while maintaining the song’s emotional core.

Let Me Shake You feels tailor-made for festival sunsets and starlit summer concerts, its combination of soulful performance, bright melodic hooks, and masterful instrumentation creating something truly special. Groove Moose has crafted more than just a song—they’ve created an uplifting experience that speaks to the heart of what makes southern rock so compelling.

Listen to Let Me Shake You

Follow Groove Moose on

Facebook

Spotify

Youtube

Instagram

Tiktok

‘Calm Down’ – Daytes’ Masterclass in Storytelling and Genre-Blending

Daytes releases Calm Down ,Daytes with Calm Down ,Daytes drops Calm Down ,Calm Down by Daytes ,Calm Down from Daytes ,Daytes musical artist,Daytes songs,Daytes singer,Daytes new single,Daytes profile,Daytes discography,Daytes musical band,Daytes videos,Daytes music,Calm Down album by Daytes ,Daytes shares latest single Calm Down ,Daytes unveils new music titled Calm Down ,Daytes ,Calm Down ,Daytes Calm Down ,Calm Down Daytes
‘Calm Down’ – Daytes’ Masterclass in Storytelling and Genre-Blending

Daytes welcomes 2025 with an impressive new release, “Calm Down” a sophisticated fusion of Afrobeat rhythms with elements of UK rap, R&B, and hip-hop. The London-based artist crafts a deeply personal yet universally relatable narrative, delving into the complexities of a passing romance. His storytelling abilities are on full display as he explores the emotional tug-of-war of uncertain feelings, creating moments that will resonate with anyone who’s navigated similar waters.

The track’s production is a masterclass in balance, featuring an infectious Afrobeat foundation layered with dynamic percussion and rich, soulful elements. The collaborative efforts of producer Brizy Beatz and mixer Yani elevate “Calm Down” to exceptional production standards, setting a new benchmark in the genre.

While echoes of influences like J Hus, Burna Boy, and Dave can be heard in Daytes’ work, his distinctive voice shines through. He demonstrates a rare ability to weave intimate storytelling with captivating melodies, creating a track that feels both commercially accessible and genuinely authentic.

“Calm Down” represents Daytes at his creative zenith, pushing beyond his established boundaries and suggesting an exciting trajectory for his artistry. If this single is a preview of what’s to come in 2025, his audience has much to look forward to.

Listen to Calm Down below

Follow Daytes on

Facebook

Spotify

Youtube

Instagram

Awaiting Abigail Unleashes Power and Emotion in ‘Bad Mind’

Awaiting Abigail  releases Bad Mind,Awaiting Abigail  with Bad Mind,Awaiting Abigail  drops Bad Mind,Bad Mind by Awaiting Abigail ,Bad Mind from Awaiting Abigail ,Awaiting Abigail  musical artist,Awaiting Abigail  songs,Awaiting Abigail  singer,Awaiting Abigail  new single,Awaiting Abigail  profile,Awaiting Abigail  discography,Awaiting Abigail  musical band,Awaiting Abigail  videos,Awaiting Abigail  music,Bad Mind album by Awaiting Abigail ,Awaiting Abigail  shares latest single Bad Mind,Awaiting Abigail  unveils new music titled Bad Mind,Awaiting Abigail ,Bad Mind,Awaiting Abigail  Bad Mind,Bad Mind Awaiting Abigail
Awaiting Abigail Unleashes Power and Emotion in ‘Bad Mind’

At the beginning of their musical journey Awaiting Abigail releases their first single “Bad Mind” which unites intense rock and metal energy with emotional narration. From their Dallas base the six-piece band creates a powerful song that combines deep emotions with powerful sound.

The song begins with intense dynamic guitar rifts and thunderous drums which immediately create a dark urgent musical background. The song develops its internal exploration through an unorthodox 7/4 time signature which creates a complex rhythm structure. Abigail Hill’s voice takes center stage as she transitions fluidly from soft whispers to strong statements which perfectly express the layered emotional depth of the song’s words.

Each musical segment of this track demonstrates the bands extraordinary connection to their performance. The musical partnership between guitarists Mike Tolfa and James Smith produces complex soundscapes through their use of tender melodies combined with heavy power chord sections.

Awaiting Abigail  releases Bad Mind,Awaiting Abigail  with Bad Mind,Awaiting Abigail  drops Bad Mind,Bad Mind by Awaiting Abigail ,Bad Mind from Awaiting Abigail ,Awaiting Abigail  musical artist,Awaiting Abigail  songs,Awaiting Abigail  singer,Awaiting Abigail  new single,Awaiting Abigail  profile,Awaiting Abigail  discography,Awaiting Abigail  musical band,Awaiting Abigail  videos,Awaiting Abigail  music,Bad Mind album by Awaiting Abigail ,Awaiting Abigail  shares latest single Bad Mind,Awaiting Abigail  unveils new music titled Bad Mind,Awaiting Abigail ,Bad Mind,Awaiting Abigail  Bad Mind,Bad Mind Awaiting Abigail
Each musical segment of this track demonstrates the bands extraordinary connection to their performance.

The foundation of this song rests on Laurie Barnett’s bass and Heather Hammonds’ drums which support every note while Kori Tolfa’s keyboards create an ethereal atmosphere that brings the entire piece to new heights.

The song uses lyrics to present an honest and direct study of mental health. Through the repeated delivery of “everything seems fine, not to my bad mind” the artists portray the split between external appearance and internal mental state that mental illness creates. Through the chorus the band delivers a cathartic moment that uses “one step in front of the other” as a personal mantra which also extends its meaning to universal hope.

The inaugural song from Awaiting Abigail represents more than a debut release because it showcases a deep exploration of human strength and openness alongside the potential to survive personal hardships. This song marks the arrival of an innovative rock and metal group which brings inventive musical elements together with deep emotional impact.

Listen to Bad Mind

Follow Awaiting Abigail on

Facebook

Spotify

Youtube

Instagram

Inside the Para Lia Soundscape: The Story Behind “Mind Song”

Para Lia  releases Mind Song ,Para Lia  with Mind Song ,Para Lia  drops Mind Song ,Mind Song  by Para Lia ,Mind Song  from Para Lia ,Para Lia  musical artist,Para Lia  songs,Para Lia  singer,Para Lia  new single,Para Lia  profile,Para Lia  discography,Para Lia  musical band,Para Lia  videos,Para Lia  music,Mind Song  album by Para Lia ,Para Lia  shares latest single Mind Song ,Para Lia  unveils new music titled Mind Song ,Para Lia ,Mind Song ,Para Lia  Mind Song ,Mind Song  Para Lia
Inside the Para Lia Soundscape: The Story Behind "Mind Song"

The music talent of Para Lia shines through in their ability to create music that’s personal yet strikes a universal chord with listeners. The band displays this talent through their recent release “Mind Song”.

The song perfectly unites 70s rock raw power with psychedelic indie intricate textures to produce an irresistible musical experience that welcomes listeners instantly into its enchanting sonic world.

Para Lia blends musical elements from 90s indie rock with 60s garage sounds and the progressive music that emerged during the early 70s to form their musical foundation. The band Para Lia presents their mature musical direction on Mind Song through their expanded six-member membership.

Under live recording conditions the track maintains an authentic feeling while maintaining the sense of both spontaneity and careful production work. The powerful musical production of Mind Song hides a meaningful message that guides listeners to embrace their true selves by defying social expectations.

An exclusive interview will examine the creation of Mind Song and the artistic development of the band before revealing Para Lia’s musical plans for 2025.

Listen to Mind Song below

Follow Para Lia on

Facebook

Twitter

Spotify

Soundcloud

Bandcamp

Youtube

Instagram

Tiktok

 

What inspired the introspective theme behind “Mind Song”, and Can you tell us about the creative journey that led to its development, I mean how does your collaborative process work when creating new music? Can you walk us through how this particular track came together?
Mind Song with it’s stomping rhythm is inspired by the groove and the feel of early 70s music like Slade classics and stuff like this. René, the songwriter of the band had one day this melody playing in his head, the hook line of the song. And he started the songwriting, worked out the arrangement and then recorded a demo tape for the band. Finally the band worked out final version of the song and it was nice – for the single release – to record the single tracks and to work with lakeside studio in Berlin, where Dirk Burke did the mixing and mastering of the track.

Your sound has been evolving throughout your career. How do you feel “Mind Song” represents your artistic growth?
It is the first recording in our current lie up as band of 6 and it has the Para Lia sound, which has, as we often hear, something distinctive. But at the same time you can listen here to the energy of the whole band – and the recording was done under live conditions, so it is a very authentic piece of music, showing how tha band sounds.

What were some of the technical or emotional challenges you faced while recording “Mind Song”?
We did it all in a very short time – and it was a surprising good flow, like a mirror of the band playing live gigs. So it was a pleasure to see how it goes.

Are there any specific musical influences that shaped the sound of this single?
As in all the Para Lia stuff you find influences of 90s indierock as well as influences of 60s garage and psychedelic and early 70s prog rock. The thing with Mind Song is the same as in other Para Lia songs – to melt influences and the Para Lia music Cosmos to a very own sound.

The title “Mind Song” suggests a deep psychological element. What message do you hope listeners take away from this track?
Music journalist Dave Franklin got it very well as he wrote some days ago in New York based Big takeover Magazine:
„The message is both simple and poignant, timeless and timely – don’t be pulled into the dark complexities of the ego, don’t be swayed by what seems to be too good to be true (because it always is), and don’t worry about the superficial, don’t play societies power games… keep your mind song pure and let it sing about the things that make you happy. Life is short; live it on your terms and be who you want.“

How has your approach to songwriting changed since you first started making music?
Getting better as a musician day by day, year by year. Learning a lot about arranging songs, playing a lot of instruments to record the demo version as a base fort he band to work it out. Increasing this helps a lot.

Can you tell us about the production choices you made to capture the emotional essence of this song?
We used low equipment – but we put a lot of energy, emotion and feel in it. Mybe you can hear it.

What role does your local music scene play in shaping your artistic vision?
Being part of the local music scene in our region is a very nice thing. To have a fan base here is a huge support.

Looking ahead, how does “Mind Song” fit into your broader musical journey? Does it hint at new directions you’d like to explore?
Mind Song is the first of a couple of singles, which will see the light of day in 2025. So our plan is to play some nice live gigs this year and also work out and to record some more new stuff. The Para Lia cosmos leads the direction – but the band always is good for including surprising sounds and moments.

“Life is Perfect for Living”… Says Who? Rausku’s Grunge Provocation

"Life is Perfect for Living"... Says Who? Rausku's Grunge Provocation
"Life is Perfect for Living"... Says Who? Rausku's Grunge Provocation

Alright, buckle up, because Anthony Rausku’s “Life is Perfect for Living” isn’t your grandma’s Sunday afternoon singalong. Unless your grandma was really into dissecting the chewy, sometimes unsettling, bits of existence while headbanging to a ’90s-esque soundtrack. This album, this collection of nine sonic explorations, grabs you by the collar and asks, “Are you really living, or just… existing?”

The title track itself, “Life Is Perfect for Living,” feels almost sarcastically serene at first. It got to the point I even considered learning Japanese for a second there. It’s a melody wrapped around a razor blade, suggesting that “harmony” can include the clang of destruction as much as a gentle chord progression. It’s melodic grunge at its finest, a reminder. A raw and confronting melody.

Then there’s “Mistake,”, like finding a half-eaten sandwich in a velvet-lined box – unexpectedly poignant and slightly messy. The track’s a sonic depiction of a hamster wheel of bad decisions, specifically crafted for relationships I bet.
Rausku’s sound is certainly that of the 90’s grunge period.

"Life is Perfect for Living"... Says Who? Rausku's Grunge Provocation
“Life is Perfect for Living”… Says Who? Rausku’s Grunge Provocation

And “Pancake”? Well, this song lands like a cry for help heard through a distorted megaphone. Someone is not a huge fan of Pancakes, and if they are, maybe that’s why this album is so brilliant! It’s about being squashed, flattened, overlooked. A request and a statement to be heard. It’s a reminder that sometimes the loudest screams are the ones we don’t verbalize, but… express.

The whole album grapples with the messy, imperfect, utterly human experience. It’s like Rausku took all those uncomfortable truths we shove under the rug and wove them into a tapestry of feedback and raw emotion.

This isn’t easy listening. But, is life itself, ‘easy’?

“Life is Perfect for Living” reminds us that perhaps the beauty lies in the cracks. A sentiment well needed.

Follow Anthony Rausku on Website, Facebook, YouTube and TikTok.

Lab Rat’s “Rolling Loud”: A Sonic Lab-yrinth We’re Still Mapping

Lab Rat's "Rolling Loud": A Sonic Lab-yrinth We're Still Mapping
Lab Rat's "Rolling Loud": A Sonic Lab-yrinth We're Still Mapping

Lab Rat, the brainchild of Australian solo artist Dylan James, drops “Rolling Loud” onto our auditory plates, and it’s… a lot. Like finding a half-eaten burrito in a washing machine – unexpected, a little messy, and you’re not quite sure how you feel about it. It’s alt-rock grunge rap, the musical equivalent of a Frankenstein’s monster stitched together with ripped denim and existential angst.

The single slams into you with the subtlety of a dropped anvil. It thumps and howls. “Rolling Loud” is supposedly about celebrating life to the fullest, embracing the chaos. The lyrics are clear, Dylan has made no attempt to create an air of mystic, he is telling it to us straight.
But wait! There’s also a strong and darker theme here. This celebration comes across like someone trying to convince themselves they’re having fun at a party they secretly hate. It’s the “drunk leading the blind,” as the song perfectly puts it – a swirling vortex of self-destructive behavior, fueled by, well, who knows what? Probably whatever’s on special at the metaphorical liquor store of the soul.

Lab Rat's "Rolling Loud": A Sonic Lab-yrinth We're Still Mapping
Lab Rat’s “Rolling Loud”: A Sonic Lab-yrinth We’re Still Mapping

It conjures, oddly, the feeling of watching a 19th-century factory worker stumble home after a 16-hour shift, only instead of coal dust, he’s covered in glitter and regret.
It seems we have some controlled and well executed confusion on our hands here.

The track makes no apology. Its purpose achieved? I don’t think so.

Musically, it’s the sonic representation of that feeling when you walk into a room and forget why you’re there. Except the room is on fire. And there’s a clown juggling chainsaws. A strangely familiar beat, not disimilar to a heart murmur.

So, is “Rolling Loud” a celebration or a cry for help? Perhaps, like Schrödinger’s cat, it’s both at the same time. Does life even make sense? Does this single? Ponder that while listening, repeat, optional.

Follow Lab Rat on YouTube and TikTok.

Stacks of Sounds: Anthony Winters’ “Caviar Pancakes” Delivers

Stacks of Sounds: Anthony Winters' 'Caviar Pancakes' Delivers
Stacks of Sounds: Anthony Winters' 'Caviar Pancakes' Delivers

Anthony Winters, a Philly-rooted solo artist… “Caviar Pancakes.” The title alone sets my brain on a low simmer. What even is that? A breakfast for the bewildered billionaire? It’s Alt Pop, supposedly, but the concept feels like it was hatched during a fever dream after watching too many Lifestyles of the Rich and Famous.

The central message isn’t exactly subtle, is it? Winters isn’t holding back. It’s an all-out ode to excess, a sonic champagne supernova. Money is no object. Luxury and pleasure are the North Star, the guiding (and blinding) lights. There is a sort of gleeful abandon that is almost…charming? That’s unexpected.

Musically, It bounces, it grooves. It’s not exactly a kitchen-sink drama sonically; there’s restraint here, thankfully. But this is where I can discuss the lyrics a bit deeper. It is an interesting thing to build such opulent and wild lyrics. In essence it acts as almost a form of world building in that respect.

Do you ever find yourself staring at a Jackson Pollock painting and wondering if a cat walked across it? That’s kind of how I felt halfway through this, a delightful bewilderment, followed immediately with the question “Wait does it kind bang?”

Stacks of Sounds: Anthony Winters' 'Caviar Pancakes' Delivers
Stacks of Sounds: Anthony Winters’ ‘Caviar Pancakes’ Delivers

I’m left wondering if the sonic palette will hold its initial interest after the shock of its brazen theme washes away.

And that extravagance… It feels like that moment in history when everyone decided gold leaf on food was a good idea. Why? Who decided that? Was it boredom? Was it genius? Perhaps both.

Anthony Winters has thrown down a shimmering, slightly confusing gauntlet. He’s dared us to not just listen, but to question our own relationship with… well, everything, really. Are we entertained, offended, or just plain hungry?

“Caviar Pancakes” is not merely background music; you engage with it whether you want to, or not.

Follow Anthony Winters on Facebook, Twitter, YouTube, Instagram and TikTok.

Styngray’s “Be Mine”: Prepare to Be Stung by Love

Styngray's "Be Mine": Prepare to Be Stung by Love
Styngray's "Be Mine": Prepare to Be Stung by Love

Styngray, that soulful crooner out of Chicago and Atlanta, just dropped “Be Mine,” and… well, it’s like finding a perfectly ripe avocado at the grocery store. You weren’t expecting it, but suddenly, your day is infinitely better. The single, dripping with Rap and soul, sprinkles in a dash of R&B that somehow feels both surprising and inevitable – like realizing your quiet coworker moonlights as a competitive hot dog eater.

The stated mission? To shove love and nostalgia back into the musical blender, churning out something we supposedly forgot we craved. Does it succeed? Yes, in the way that a perfectly brewed cup of tea succeeds on a rainy afternoon. Did I just compare R&B to tea? I believe I did. My train of thought is sponsored, at least today, by partial sentances.

Styngray's "Be Mine": Prepare to Be Stung by Love
Styngray’s “Be Mine”: Prepare to Be Stung by Love

It brings forth reflection about what love is and how is it understood?

Styngray isn’t just rehashing old sounds. There’s a modern edge, a subtle acknowledgement that we’re all perpetually distracted by, you know, everything. This awareness, it feels, bleeds into the production. A beat in particular has that familiar and expected cadence. And this makes a listener bop to. It makes a “heart”, or the very concept of a heart, skip too, I feel.

“Be Mine” does more than just aim for the heartstrings; it reaches for that tangled mess of memories and emotions most of us keep tucked away. This theme, Love’s Power, should almost, always, be left to those who have lived.

Maybe Styngray’s real triumph here isn’t in the sonic landscape itself, but in the quiet spaces.

Follow Styngray on Website, Facebook, Twitter, Instagram and TikTok.

Rewind and Repeat: Steven Browley’s “Song for Lena” is Pure Nostalgia Tape

Rewind and Repeat: Steven Browley's "Song for Lena" is Pure Nostalgia Tape
Rewind and Repeat: Steven Browley's "Song for Lena" is Pure Nostalgia Tape

Steven Browley’s “Song for Lena” isn’t just another track dusting off the 90s; it’s like finding a mixtape your older sibling swore they’d destroyed, one filled with earnest melodies and a yearning that still prickles the skin. Leverkusen might not be the first place you’d expect a resurgence of angsty teen romance, but here we are.

Browley delivers a love song that feels both familiar and strangely… off-kilter. He’s tapped into that feeling of adolescent devotion, the kind where your entire existence pivots on the glance of another. The lyrics paint a picture of transformative love, someone being utterly changed by Lena, but there’s this undercurrent, a faint worry, like a cassette tape close to snapping. Does Lena even know the earthquake she’s caused? It’s this uncertainty, this hint of unrequited potential, that elevates it beyond simple teenage gush.

The 90s influence is clear – think Gin Blossoms meet a less cynical Weezer. The guitars have that jangly, slightly fuzzy edge that defined a generation, before autotune smoothed everything out. This song carries a certain charm that recalls the era when sharing music was so easy with a music distribution service such as Limewire. Which made me wonder, did Lena have access to Napster or was she still rocking a Discman? These are the important questions, people.

Rewind and Repeat: Steven Browley's "Song for Lena" is Pure Nostalgia Tape
Rewind and Repeat: Steven Browley’s “Song for Lena” is Pure Nostalgia Tape

The message lands, not as a declaration shouted from a rooftop, but more like a handwritten note slipped into a locker. There’s a vulnerability there, an honesty that bypasses the usual pop sheen.

“Song for Lena” sticks in your head long after it stops playing. It’s also a reminder that love, in its purest and most awkward form, never truly goes out of style. Just like ripped jeans or a perfectly worn band t-shirt. Maybe Steven is onto something when he sings about Lena, I wouldn’t want to be without that experience.

What is it about these songs that so perfectly capture a moment, a feeling, that feels both utterly unique and universally understood? Perhaps that’s the real magic.

Follow Steven Browley on Website, Facebook and Instagram.

Pichierri Perfect Pitch: “Sperarci Due Eroi” Hits All the Right Notes

Pichierri Perfect Pitch: "Sperarci Due Eroi" Hits All the Right Notes
Pichierri Perfect Pitch: "Sperarci Due Eroi" Hits All the Right Notes

Francesca Pichierri’s “Sperarci Due Eroi” arrives not like a musical offering, but a fragile, precious thing unearthed from a well of deep feeling. This isn’t sonic wallpaper; it demands your attention, claws its way in, leaving you altered in some small, imperceptible way. Inspired by the fierce love that endures even as shadows lengthen – her mother’s journey, specifically – the single throbs with a particular kind of desperate hope. It’s that hope you cling to when the odds are, shall we say, statistically unfavorable. You know?

Think of it as if Emily Dickinson decided to front a rock band. Fragmented phrases paint emotional landscapes. Love, time, the human desire to leave a mark…it’s all there, swirling like dust motes in a sunbeam. It’s like trying to recall a beautiful dream, only snippets surface, imbued with immense power. Did you ever notice how specific shades of yellow can remind you of certain kinds of childhood grief? The synesthesia of feelings, that’s what Pichierri captures.

Genre-wise? Alt-pop, they say, seasoned with rock and electronic elements. Fine. But it’s the volcanic emotion beneath the surface, channeled through her potent vocals, that truly detonates. It doesn’t neatly fit anywhere, does it? Just like grief, it has messy boundaries, refuses to be categorized. It spills over.

Pichierri Perfect Pitch: "Sperarci Due Eroi" Hits All the Right Notes
Pichierri Perfect Pitch: “Sperarci Due Eroi” Hits All the Right Notes -: Photo credit: Dominic Thiel

There’s a defiant undercurrent, too. Like Picasso, she deconstructs sentiment, and rebuilds it in her own idiom. It’s in the way that electronic pulse mirrors a heartbeat. Each layered texture builds like the determination to celebrate those you love regardless of the unknown. A primal scream of affection delivered with the deft touch of a seasoned artisan. A reminder of a moment we keep searching for in ourselves.

Maybe the best love songs are born out of proximity to despair. I saw a crow trying to open a bag of chips once…what was I saying? Ah yes. Francesca Pichierri. Listen closely. “Sperarci Due Eroi” is a testament to a spirit unbreakable. Now, wasn’t it Lao Tzu who said, “Being deeply loved by someone gives you strength, while loving someone deeply gives you courage?” Something to consider in these fractured times.

Follow Francesca Pichierri on Instagram.

Into the Morpheusverse: The New Citizen Kane’s Latest Saga.

Into the Morpheusverse: The New Citizen Kane's Latest Saga.
Into the Morpheusverse: The New Citizen Kane's Latest Saga.

“The Tales of Morpheus” by The New Citizen Kane… well, where to even begin? It’s not an album you just passively listen to while doing the dishes. No, this is a full-on aural experience, a 21-track expedition into the inner workings of a creative mind. And what a mind it is!

Hailing from London, this solo act bravely blends the digital pulse of electronic music with the vulnerable heart of indie pop, sprinkles of new wave’s cool detachment, and the smooth allure of nu disco, jazz, and even a whisper of bossa nova. It’s a sonic tapestry as intricately woven as… well, as intricate as trying to explain quantum physics to a goldfish.

The thematic core of the album revolves around anxiety, self-discovery, and personal growth. These aren’t just buzzwords thrown around to sound profound. The New Citizen Kane tackles them head-on, framing them as chapters in a life – presumably their own, but relatable enough to feel like segments of your own slightly messy, beautifully flawed narrative. Each track functions like a diary entry, raw and unfiltered. I briefly wondered if The New Citizen Kane had read my teenage journal, it hits that close to the bone.

The genre-bending is exhilarating. Just when you think you’ve got a handle on where the album is going, it veers off in an unexpected direction. Like encountering a zebra in a library. You wouldn’t expect it, but somehow, it makes perfect sense in the moment. And it strangely kind of fits in and elevates everything.

Into the Morpheusverse: The New Citizen Kane's Latest Saga.
Into the Morpheusverse: The New Citizen Kane’s Latest Saga.

Sometimes I get the sense The New Citizen Kane, whoever they are, is speaking directly into my soul. Other times it just feels good and I lose myself into the song. It will catch you at different times with different moments and different sounds that you like. The music can go from head nodding to reflective tears that might happen. It’s a wild ride.
The courage of being personal and yet also being artistic, in a culture where everyone wants to create, but they don’t necessarily want to be bold to say things or reveal parts of them. So in that spirit and energy, this artist created this great piece.
“The Tales of Morpheus” isn’t just music; it’s a mirror reflecting our own inner journeys back at us, distorted, maybe, but undeniably truthful. What stories will you find in its reflection?

Follow The New Citizen Kane on Website, Facebook, Twitter, YouTube, Instagram and TikTok

Pascal Grandjean Asks the Big Questions: Is “Karma Beyond Death” a Hit or Myth?

Pascal Grandjean Asks the Big Questions: Is "Karma Beyond Death" a Hit or Myth?
Pascal Grandjean Asks the Big Questions: Is "Karma Beyond Death" a Hit or Myth?

Pascal Grandjean’s “Karma Beyond Death” isn’t just another hard rock record, nor is it simply a rock pop jaunt. It’s more like a sprawling, philosophical conversation conducted at ear-splitting volume and then softened by quieter reflections. Imagine Pythagoras decided to pick up an electric guitar after contemplating the secrets of numbers – that’s kind of the vibe here.

Grandjean grapples with those eternal head-scratchers: Why are we here? What happens next? And does that new car really fill the existential void? Spoiler alert: probably not. He digs into reincarnation and karma, wrapping these concepts in a multi-genre sound, mixing genres and layering a hard rock backbone with classical moments. It’s ambitious, to say the least.

The whole project reminded me a bit of watching a science documentary while simultaneously scrolling through social media – that sense of “everything is connected, and I am possibly missing something important.” It’s that sense of almost catching a profound insight before your brain bounces onto the next shiny thing, like a chrome bumper gleaming.

Pascal Grandjean Asks the Big Questions: Is "Karma Beyond Death" a Hit or Myth?
Pascal Grandjean Asks the Big Questions: Is “Karma Beyond Death” a Hit or Myth?

It’s tempting to write it off as overly earnest, or even a little… odd. After all, aren’t guitars supposed to be about partying and teenage rebellion? But Grandjean pushes back, using these familiar sounds as a Trojan horse for weightier ideas. It’s kind of like learning about string theory through a catchy tune – you might not grasp it fully, but it gets the cogs turning. I will need some further reflections after listening to this Album!

The sheer scope of the album is remarkable. It is clear that the theme or message is about existential questions concerning our purpose beyond earthly wants and the nature of the soul. This album poses interesting and valuable thoughts to its listeners. I do think that I’ll go meditate. Is it a flawed masterpiece? Probably. But there’s an undeniable sincerity, a hunger for something more that resonates. Grandjean isn’t providing answers, but he’s definitely sparking a crucial debate, one worth hearing amid all the noise. It seems like you will go on thinking what your individual “Karma beyond death” could be.

Follow Pascal Grandjean on Website, YouTube, Instagram and TikTok.

“Necromantic”: Twice Dark Buries You in Beats (But You’ll Dig It)

"Necromantic": Twice Dark Buries You in Beats (But You'll Dig It)
"Necromantic": Twice Dark Buries You in Beats (But You'll Dig It)

Twice Dark’s “Necromantic” isn’t just goth-electro industrial; it’s an excavation. Josh Kreuzman, the spectral architect behind this project, doesn’t simply offer a song. He hands you a shovel and invites you to dig.

What do you unearth? Loss, unmistakably. Grief hangs in the air like mist on a cemetery. This single wrestles with mortality, the heavy lid of finality slamming shut, echoing against the cold stone. It makes you think about Pompei, about the moments frozen in time by sheer destructive force.

The haunting quality here is palpable. It’s the chilling notion of echoes continuing, a loop of pain refusing to be silenced. A figure, anchored to a grave, eyes hollow with unfulfilled desires, pulls you – metaphorically, hopefully – under. Are we all, in some way, tethered to something we can’t quite release? A broken promise, a faded dream?

The synth lines slither and scrape like coffin lids being dragged across the floor, surprisingly danceable still! A broken heart beats with programmed rhythm. Abandonment and isolation aren’t presented as abstract concepts; they’re tangible, heavy coats you’re forced to wear on a humid day.

"Necromantic": Twice Dark Buries You in Beats (But You'll Dig It)
“Necromantic”: Twice Dark Buries You in Beats (But You’ll Dig It)

Then there’s that contrasting push and pull between the cold and the warmth. A ghostly touch craving something it can never grasp again. Is it solace? Connection? Relevance? It is futile, yet eternally sought, in what has already been expunged. This recalls those dreams of reaching for something in the sky only for the item to dissolve into mere memory.

The production feels claustrophobic. Which is perfect. Kreuzman has sculpted something undeniably dark but also unexpectedly engaging, the aural equivalent of stumbling across an abandoned building and feeling drawn to explore. A scary haunted place.

“Necromantic” lingers. It’s the taste of iron after biting your tongue, the echo of a slammed door in an empty house, the uncomfortable reality of mortality reflected in the glass. This is not background music; this is an immersion into sound, a requiem for the living and the lost. It questions if one truly appreciates their life. And more poignantly, can that appreciation outlast the grief?

Follow Twice Dark on Website, Facebook, Bandcamp, YouTube, Instagram and TikTok.