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Sweet Stories 2 Reimagined: An Evolution in Sound and Soul

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Mister Styx
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Sweet Stories 2 (Soulful Solo Version)

For Jay J. Ra Music is a journey, and for this artist, that journey has taken an exciting new turn with Sweet Stories 2. Originally released in 2022 under the name D.bé Jayri, Sweet Stories was a reggae-infused ode to love and compassion, filmed in Accra, Ghana.

Sweet Stories 2 (Soulful Solo Version) is the official solo version of Sweet Stories 2 featuring African Child. Now, with a fresh Afrobeat arrangement and a collaboration with Ghanaian artist African Child, Sweet Stories 2 breathes new life into the original message while expanding its reach.

This project is more than just a genre shift—it represents artistic evolution, cross-cultural collaboration, and a deeper exploration of musical storytelling. From facing unexpected delays in production to embracing new vocal styles, the path to Sweet Stories 2 was one of persistence and growth.

In this interview, we dive into the creative process, the challenges faced, and the emotional depth behind this release. Join us as we explore how this artist blends R&B, pop, gospel, and Afrobeat to craft a sound that is both personal and universal.

Listen to Sweet Stories 2

 

 

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“Sweet Stories 2” suggests a continuation of narrative themes. How does this release build upon or differ from the first installment?:
I wrote the original Sweet Stories to a reggae performance style, conveying a message of love and compassion, in slow tempo. Sweet Stories was released in 2022, under my old artist name, D.bé Jayri, and I shot the music video for it in Accra, Ghana that very same year. The music video is available on YouTube.

A radio host and friend of mine that I had met in Ghana, suggested to me last year, that I should put together a record that will gain the attention of the African music market, more specifically, a Ghanaian audience and get them acquainted with my artistry. Thus, my friend, the radio host, got the original Sweet Stories song re-done into an upbeat Afro-beat style arrangement and also suggested that I collaborate with a Ghanaian artist.

So, the differences between the original and Sweet stories 2 are the genres, the tempo and the opportunity to collaborate with a fellow artist from Ghana, African Child, (on the collaborative version). However, the lyrics (in most cases) and theme remained the same.

How has your approach to storytelling through music evolved between the first and second chapters?:
As I said before, the theme and most of the lyrics remained the same. However, I saw my art of story-telling evolved in Sweet Stories 2 with the influence of direct Afro-beat arrangements and collaborating with a fellow artist. I was able to vocally express myself and my style of singing with joy to music directly coming from the motherland, the African continent.

When I first heard the instrumental and re-arrangement of Sweet Stories, I immediately knew the lyrics and emotions would be expressed through the styles of R&B and Afro-beat, something I am fairly new to as an artist.

Were there any specific life experiences or emotional moments that influenced the stories in this release?:
I have been into several relationships in the past to know the importance of companionship, even though some where very brief, however, this song was written based on my general experience of love affection and on the idea of what a lasting companionship could be.

The title implies a certain tenderness or nostalgia. What kind of emotional landscape were you aiming to create?:
The emotional landscape that I try to express is to encourage us to just take the time to love and appreciate and enjoy your significant other, and it may not even be your significant other only, but your loved ones and others as well, because life is short and uncertain and the most we can do, most of the time, is to show love to everyone.

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because life is short and uncertain and the most we can do, most of the time, is to show love to everyone.

Could you share a particularly meaningful moment or story from the creation of this project?:
After I recorded Sweet Stories 2, here in Canada, I sent it over to my radio host friend in Ghana. He then gave over the track to a studio engineer in Kumasi, Ghana, to mix and master it, and it is that very same studio where African Child, the featured artist on the collaborative version, recorded his part. My friend and I planned to release the song in November 2024, so we could promote and push the song during the upcoming holiday season, then.

However, for some reason, the studio engineer sat on the record for months without doing any work on it. I got worried and a bit frustrated and asked that the project to be taken from that studio engineer and be given to another. The track was mixed by another studio engineer in Ghana called Quab Sea and I was able to release the record publicly on February 1st, 2025. Sweet Stories 2 (Soulful Solo Version) was mixed and mastered by K.R. Moore, my studio engineer here in Canada. Even in face of uncertainly, I still believed in this project, and it turned out to be amazing.

How do you balance maintaining your signature sound while pushing your artistic boundaries in this new release?:
My style of singing is mostly Pop/R&B/Gospel, (for an industry that is fanatic to categories sounds, but I don’t). I saw myself blending all those genres to communicate well with the essence of the afrobeat instrumental on the record. I found myself singing R&B but consciously and carefully tried to tailor it to a wider African audience. So we could call the track an Afro-beat R&B/Soul and Pop record? I suppose so.

What musical elements or production choices help convey the “sweetness” in these stories?:
Well, it depends on what your perception of “sweetness” is. However, I believe what made this track “sweet” was that I decided to soulfully re-do the vocals and added a little more vocal riffs and runs, well, to make the track more smoothe and Jazzy, a contrast to Sweet Stories 2 (featuring African Child) which sounds more Pop, commercial and edgy.

Did you collaborate with any new artists or producers for “Sweet Stories 2”? How did these collaborations shape the final sound?:
Well yes. With help from my radio host friend, I was able to collaborate with Dan Bassey of Ghana, who is the music producer of both Sweet Stories 2 (Soulful Solo Version) and Sweet Stoires 2, and as mentioned before, also collaborated with African Child, a fellow Ghanaian artist, who is the featured artist on Sweet Stories 2.

The communal efforts of all us as artists, producer and studio engineer, had made the sounds of both tracks phenomenal. Even though each record have a slightly different sound and feel to them, both however, have the same larger than life African musical elements that gives them an epic sound.

Looking back at both “Sweet Stories” projects, what have you learned about yourself as an artist?:
This project made me see how far I have come and grown as an artist. For years I have written my own songs, but this project has proven to me that I can be a more versatile and open minded writer for music, and also for other artforms such as film, television books and poetry.

Can listeners expect certain themes or motifs to carry through both releases? How do they connect?:
Love, affection and adoration, those are the themes and motives behind the song, and all are inter-correlated.

What’s next for you after “Sweet Stories 2”? Will there be a third chapter in this musical narrative?:
I will leave an open mind to this idea: there maybe another chapter to Sweet Stories, or I may just cap it at number 2…who knows..let us see which direction the universe takes us.

Alli Brown “Undeniable”: Resilience, Raw and Real

By
Chris The Blogger
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Alli Brown's "Undeniable": Resilience, Raw and Real
Alli Brown's "Undeniable": Resilience, Raw and Real

Alli Brown’s “Undeniable”… Hmm, where to even begin with this kaleidoscope of sound from Salt Lake City? It’s like someone took the earnestness of a diary entry, crumpled it up, threw it at a dartboard of genres – pop, folk, country, rock – and then decided to set the whole thing to music. Did the dartboard land on “genius” or “glorious mess”? I’m still figuring that out, and that, my friends, is a good thing.

Alli Brown, who started this sonic journey in 2022, serves up eleven tracks. This feels, appropriately for our ever-decreasing span of time, important. Eleven confessions, maybe? The album hums with real-life experiences; Brown dives headfirst into the messy tangle of being human. These tunes will be buzzing around my cranium all day. Resilience, independence, the chase after your own shimmering, elusive something… it’s all there. Reminds me of trying to assemble IKEA furniture without the instructions: frustrating, yet weirdly compelling.

One minute, you’re tapping your foot to a deceptively upbeat melody, the next, you’re staring out the window, contemplating the existential dread of choosing the wrong type of pasta for dinner. Did I buy penne when I meant to buy fusilli? See, that is the rabbit hole this collection sends one on.

Alli Brown's "Undeniable": Resilience, Raw and Real
Alli Brown’s “Undeniable”: Resilience, Raw and Real

This album champions taking the road less traveled, even if it means leaving skid marks on the hearts of others.

It’s raw. Did she record this in her living room? A sound-proof studio? A converted spaceship? This feels independent. The specifics are blurring. All I know is it is deeply personal.

Alli Brown is declaring sonic, bold, independent self, and frankly, you want that? This album does that. Do the styles sometimes confuse each other? Is life also not messy and undefinable. Is her album Undeniable? Absolutely.

Is this the soundtrack for late-night drives, heartaches, or for triumph? Only time. Your time will tell.

Follow Alli Brown on Website, Facebook, YouTube, Instagram, SongKick and TikTok.

Beyond Vivaldi: Robert McGinty’s “Reflections” Shines

By
Chris The Blogger
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Beyond Vivaldi: Robert McGinty's "Reflections" Shines
Beyond Vivaldi: Robert McGinty's "Reflections" Shines

Right, so, Manchester’s own Robert McGinty is back. “Reflections,” they call it. Twelve classical instrumentals. Twelve! Like the apostles, but…less preachy, more piano-y. It’s supposed to be uplifting and joyful, this album, a sequel of sorts, tracking his growth since the debut. Did you know the collective noun for owls is a parliament? Completely unrelated, I know, but owls are wise, and there’s a certain wisdom embedded in McGinty’s compositions, somewhere between the Vivaldi-esque flourishes and that unexpected hint of Spanish guitar.

It’s predominantly classical, this thing. But it’s got this… sheen of modernity. A bit of Joplin’s ragtime pep gets in there, playfully chasing the more structured, Haydn-inspired sections. McGinty, the multi-instrumentalist maestro, throws piano, guitar, flute, and strings at us. It is all a lot. My cat, incidentally, prefers the flute sections. Claims they mimic bird song. I wouldn’t know; I’m more of a Liberace fan myself.

The album wants to explore the blend between joy, and the mellow drama that is sadness. It’s there. It’s that feeling that grabs your emotional heartstrings.

He delivers. He is reported to blend many classical styles with his unique style, and on this, he delivers a truly original, and creative album.

Beyond Vivaldi: Robert McGinty's "Reflections" Shines
Beyond Vivaldi: Robert McGinty’s “Reflections” Shines

This whole album… it’s like a well-brewed cup of tea on a rainy afternoon – comforting, familiar, yet somehow… surprising. You expect Earl Grey, and then bam! A subtle hint of ginger. Where did that come from? Commissioned works are apparently sprinkled throughout, adding another layer to this sonic tapestry.

This blend of old masters. This, is what makes it an engaging experience. Classical. Yet, now.

It asks to question our own experiences, asking to look in, with an added blend of beauty.

Is “Reflections” a profound statement on the human condition? Perhaps. Or maybe it’s just a really nice collection of tunes to put on while you ponder the mysteries of the universe, like why pigeons bob their heads. Either way, it’s worth a listen.

Follow Robert McGinty on Instagram

Guess Pre “Clarity”: A Sonic Blender of Angst

By
Chris The Blogger
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Guess Pre's "Clarity": A Sonic Blender of Angst
Guess Pre's "Clarity": A Sonic Blender of Angst

Guess Pre’s “Clarity.” The name itself feels like a punchline missing its joke, or maybe the setup to a philosophical riddle I’m not equipped to solve. Gregory Stanton, the Wisconsin-based artist behind the moniker, has served up a nine-track album that’s… well, it’s trying to be a lot of things, and surprisingly, mostly succeeding.

This isn’t background music for folding laundry. It’s more like the soundtrack to a fever dream where you’re simultaneously filing your taxes and learning to salsa dance. Grimrose’s mixing gives this multi-genre selection a polished professional feel.

The album, mastered by Lia Kahn, dives headfirst into Stanton’s sobriety journey, grappling with the mundane chaos of daily existence. There are shades of early 2000’s electronica, but, and for some reason, also hints of an old dial up modem sound mixed in. That sounds insane, I Know, but just follow me here. It works. It creates some sense of urgency, or maybe the “dial-up” evokes that connection, I’m just not quite sure.
Responsibility, self-doubt, the relentless hum of anxiety—it’s all in here.
“Clarity” is presented with an unexpected instrumentation and sonic texture. Stanton worked alongside various local producers to provide the wide ranging beats to back his unique vocal performances.

Guess Pre's "Clarity": A Sonic Blender of Angst
Guess Pre’s “Clarity”: A Sonic Blender of Angst

It’s like Stanton took EDM, punk, and lyrical rap, tossed them into a blender with a handful of existential angst, and hit “frappe.” The result is sometimes jarring, sometimes breathtaking, and always… interesting. One minute you’re nodding along to a beat that wouldn’t be out of place in a cyberpunk club, the next you’re pondering the nature of reality. Why is cheese so expensive? It’s questions like these, alongside Stanton’s own personal questioning that “Clarity” invokes.

“Clarity” shows marked maturity, and offers listeners a positive and cohesive perspective, that has a solid base for futher expansion on later releases.

Is this the sound of enlightenment? Probably not. But it’s a compelling, confusing, and ultimately captivating snapshot of one person’s attempt to make sense of it all. And, honestly, isn’t that what the best art should be?

Follow Guess Pre on Website, Facebook, Bandcamp, YouTube, Instagram and TikTok.

Megan Wheeler “Now That I’m Gone”: A Sparkling Anthem of Self-Respect.

By
Chris The Blogger
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Megan Wheeler's "Now That I'm Gone": A Sparkling Anthem of Self-Respect.
Megan Wheeler's "Now That I'm Gone": A Sparkling Anthem of Self-Respect.

Megan Wheeler’s new single, “Now That I’m Gone,” arrived. Not via carrier pigeon, thankfully, though wouldn’t that be a marketing strategy? No, it arrived in the usual, utterly un-magical digital way, yet somehow, managed to feel like a little explosion of confetti made of pure, defiant self-respect.

This isn’t your typical “woe-is-me” breakup ballad. Wheeler, often drawing favorable comparisons to the songwriting queens, that Holy Trinity of, Swift, Roan, and Lavigne. Which one time prompted my great-aunt Mildred to ask if a “chappell roan” was a type of fancy Victorian sofa. Bless her. Anywho, Where was I?

Ah yes.

“Now That I’m Gone” channels that spirit beautifully. The pop-rock infusion pulses with the energy of someone slamming the door and immediately booking a solo trip to… well, anywhere. Somewhere involving zero shared appetizers and absolutely no compromises on the playlist. It is all wrapped up in a beautiful uplifting pop packaging.

Megan Wheeler's "Now That I'm Gone": A Sparkling Anthem of Self-Respect.
Megan Wheeler’s “Now That I’m Gone”: A Sparkling Anthem of Self-Respect.

The central theme – the deliciously satisfying realization that you were the prize all along – is powerfully rendered. And isn’t that the bizarre thing about human relationships? How often we only appreciate the shimmering mosaic of a person once the picture is incomplete. Like finally noticing the intricate brushstrokes in a Van Gogh only after someone’s swiped it from the museum. (Not advocating art theft, obviously).

Wheeler’s vocals soar, carrying the weight of earned wisdom and a bright streak of “good riddance.” The message isn’t just about moving on; it’s about ascending. This anthem for those moving on from under appreciation. For strength after being devalued. For women reclaiming their power.

It made me want to organize my sock drawer, not out of sadness, but out of pure, unadulterated efficiency. And maybe learn how to play the theremin. Because why not?

Is Megan Wheeler a phenomenal young talent? yes, methinks so.

“Now That I’m Gone” is a reminder that sometimes, the best way to be seen is to vanish – at least, from the view of those who couldn’t see you in the first place. A sparkling vanishing act, indeed.

Follow Megan Wheeler on Website, YouTube, Instagram and TikTok.

The Sway’s “When Worlds Collide”: Unearthed Gems with a Heart of Gold

By
Chris The Blogger
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The Sway's "When Worlds Collide": Unearthed Gems with a Heart of Gold
The Sway's "When Worlds Collide": Unearthed Gems with a Heart of Gold

The Sway. London. Late 80s. These words, on their own, conjure… well, honestly, a flock of pigeons taking flight in Trafalgar Square. Unexpected, right? That’s kind of the vibe of “When Worlds Collide,” a re-release that feels both unearthed and strangely present. This isn’t some shiny, manufactured product; it’s a chipped teacup filled with surprisingly strong brew.

The band—David Casson, Paul Hogan, Sean Kelly, James Kook, and, for this album only, Matt Smith on keyboards—has crafted something that feels intensely lived. The album delves into a difficult period marked by addiction, revealing struggles and their brotherly resilience. Alt-rock pop with indie rock flavouring for classification, right. Fine.

But the music! It dodges easy categorization. It’s the sound of resilience, sure, but also the sound of questioning. Of staring into the abyss and then, deciding to build a rather fetching little garden on the edge. Is this the soundtrack for conquering personal demons, Or baking a really good sourdough loaf during existential crises? Possibly Both.

The Sway's "When Worlds Collide": Unearthed Gems with a Heart of Gold
The Sway’s “When Worlds Collide”: Unearthed Gems with a Heart of Gold

The thematic core, apparently, revolves around shared experiences, struggles, and, rather endearingly, “brotherly love.” It’s a journey, they say. A messy, hopeful process of becoming. There’s joy, pain, fear of mortality, a search for meaning, which is a search we are all going through. Are we worthy? Do hummingbirds remember their dreams? These are the REAL questions!

And yet, amidst this exploration of personal depths, there’s a persistent upward glance. Hope. The unwavering choice to carry one anothers baggage. Which is brave.

“When Worlds Collide” isn’t about perfect landings; it’s about the flight, the turbulence, and the strange, unexpected beauty found in the spaces between chaos and order. Did the band intend to tap into the universal fear of clowns while simultaneously inspiring a deep craving for marmalade? I doubt it, but maybe they achieved it by chance. It will stick, I think.

Follow The Sway on Facebook, YouTube, Instagram and TikTok.

Ludwig Jonsson’s “Anybody Out There”: A Hard Rock Scream in the Void

By
Chris The Blogger
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Ludwig Jonsson's "Anybody Out There": A Hard Rock Scream in the Void
Ludwig Jonsson's "Anybody Out There": A Hard Rock Scream in the Void

Ludwig Jonsson, hailing from Jönköping, Sweden – a place I once imagined was solely populated by competitive furniture assemblers – has unleashed “Anybody Out There,” a single that slams into you like a rogue shopping cart on a downhill slope. It’s hard rock, sure, but it’s got this texture, like sandpaper dipped in honey.

Jonsson, the one-man army of sound, crafts everything in his home studio. Is the central heating on blast to enhance the distortion? Or is it the cold, creeping realization that life is just, well, weird? The song delves into this. This feeling of disillusionment and the empty “endless spinning wheel of what you call fame,” feels real, a honest, rough statement.

The theme: a desperate plea for some signal from the void.
He sings of broken promises weighing heavier than a Viking longship, and the terrifying monotony of existence.

One minute you’re analyzing chord progressions, and the next you’re pondering if squirrels have existential crises. (They probably do. All that nut-burying…)

Ludwig Jonsson's "Anybody Out There": A Hard Rock Scream in the Void
Ludwig Jonsson’s “Anybody Out There”: A Hard Rock Scream in the Void

It’s the question within the question that grabs you: “Is it anybody out there, anybody listening?” The raw search for belief in oneself reverberates. It hits that primal nerve, that need to be seen, to be acknowledged. It’s like when you spend three hours perfecting a sourdough starter, only to have your cat knock it off the counter. The frustration, the yearning, the…doughy despair.

“If nothing seems to make any sense.” He gets it.

So the message isn’t clear, it’s messy. Is this track messy? No. The clarity in his singing of his doubt, his angst is crystal.

“Anybody Out There” isn’t a comforting lullaby. It’s a scream in the dark, powered by guitars, drums and existential dread – and strangely, it’s comforting in its brutal honesty. Maybe the void screams back. Or maybe it just offers you a really good recipe for lingonberry jam.

Follow Ludwig Jonsson on Facebook and Instagram.

Toxicity and Catharsis Collide in Wheels Stop

By
Mister Styx
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Toxicity and Catharsis Collide in Wheels Stop

Through Eddie Cohn’s song Wheels Stop the listener experiences the full force of being trapped in an abusive relationship. The indie-rock track exposes listeners directly to its chaotic conditions while matching the underlying emotional struggle through its musical elements.

The opening acoustic guitar harmonies in Wheels Stop create a folk-driven rhythm which seduces listeners until the song abruptly transforms into an aggressive musical frenzy. The song repeatedly shifts tempo without warning which creates a chaotic sequence of emotional movements for the listener. Throughout the song’s instrumental collision the central question “Can we be happier?” asks for understanding yet the confusion consumes it.

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Throughout the song’s instrumental collision the central question “Can we be happier?”

The song carries an honest and cleansing character that sets it apart. All musical elements create an endless spiral motion which represents both quick-moving thoughts and unfinished emotional states. The performance conveys a sense of panic because it pleads for an immediate stop to the distressing mental state. Cohn’s voice showing signs of hoarseness communicates his frustration throughout the slow descent of sonic elements which produces deeply authentic musical moments.

Wheels Stop maintains its unfinished quality yet it remains complete as a piece of music. Wheels Stop reaches its emotional peak by presenting a safe environment for people to project their feelings against the walls of sound. This anthem speaks to people who experience being stuck inside their obsessive thoughts because it delivers uncut emotional messages of anger along with deep searching.

Wheels Stop stands out because Cohn successfully fuses indie-rock with powerful emotional narrations. Wheels Stop functions as more than mere music because it represents an aural confrontation.

Watch Wheels Stop below

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BRUCK’LYN “Moonshot”: Progressive House for Inner Space Voyages

By
Chris The Blogger
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BRUCK'LYN's "Moonshot": Progressive House for Inner Space Voyages
BRUCK'LYN's "Moonshot": Progressive House for Inner Space Voyages

BRUCK’LYN, the former corporate titan turned progressive house maestro, has dropped “Moonshot,” an instrumental track that’s less about lunar landings and more about an inner space voyage. Why do pigeons always seem to know where they’re going? Anyway, BRUCK’LYN seems to be directing us towards our own navigational prowess, through sound.

“Moonshot” builds slowly. Not like waiting for a particularly stubborn microwave meal to heat up, but more like the gradual blooming of a desert flower after a rare rainfall. It’s progressive house, sure, but the kind that reminds you that progress isn’t always a straight line. Sometimes it’s a spiral staircase, and sometimes, you are at the beach, eating fries.

The track avoids vocal pyrotechnics, deciding instead to pull you into a whirlpool of escalating synth melodies. It makes you feel like going outside. The danceability is definitely there, the kind that might make you do that awkward-yet-enthusiastic arm-flail thing at a festival. But there is a pensiveness lurking underneath, and I find this surprising.

BRUCK'LYN's "Moonshot": Progressive House for Inner Space Voyages
BRUCK’LYN’s “Moonshot”: Progressive House for Inner Space Voyages

It’s also oddly reflective. Not in a gazing-at-your-reflection-in-a-pond kind of way, because this makes one want to move. It reminds you to be a traveler inside while the body does its flailing thing. The melodies climb, the beats drop – basic components, elevated. Like bricks constructing a Gaudi cathedral rather than a garden shed. The feeling of a sort of pensive celebration carries it’s essence, throughout.

What is BRUCK’LYN aiming for here? A simple answer can only be that It feels profoundly optimistic, a quiet shout of resilience into the great echoing void of… Tuesdays.

Perhaps “Moonshot” isn’t about escaping reality, after all, it can be like turning towards. What does the future sound like?

Follow BRUCK’LYN on Website, Facebook, YouTube, Instagram and TikTok.

Epic Sigh’s “Deteriorate”: Neon-Drenched Existential Dread

By
Chris The Blogger
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Epic Sigh's "Deteriorate": Neon-Drenched Existential Dread
Epic Sigh's "Deteriorate": Neon-Drenched Existential Dread

Epic Sigh’s “Deteriorate,” a single served straight from the neon-drenched gut of Las Vegas, has somehow materialized. Nina Carmine’s vocals—soulful? Yes, hauntingly so, echoing off the canyons of some internal, broken jukebox. Alongside her, Aleena Carmine with songwriting and Nick Carmine helming production construct, it at its heart; its sonic skeleton. Alan Nicholas’s Guitar, sampled throughout the track, has left an indelible impression on me, leaving me dazed as to their ability to make a six string scream.

This isn’t just background music for your existential dread; this is the soundtrack. The track paints a vivid portrait of a desert city tearing itself apart – you can almost taste the grit and the desperation. One question keeps running in my head, if sand could sing, what key would it choose? Probably a minor one, based on “Deteriorate.”

The tribute to David Gilmour/Pink Floyd is palpable, but it’s not mere imitation. There’s a pulse here, a uniquely Epic Sigh kind of blues-rock-alternative blend. The influence seeps in, of course. I mean that guitar? It weeps a digital tear that seems suspiciously analog. The whole thing thrums with the ghost of 2000s alt-rock.

The theme of violence, cyclical and inescapable, presented by the band? Well, it doesn’t pull any punches. There are lines being drawn between childhood trauma, present-day aggression, and a future that looks remarkably… well, doomed. It’s like a sonic Hieronymus Bosch painting. Yet there’s some twisted, compelling need for absolution stitched through this burning tapestry of neon and regret, of love lost and betrayed.

Epic Sigh's "Deteriorate": Neon-Drenched Existential Dread
Epic Sigh’s “Deteriorate”: Neon-Drenched Existential Dread

Suddenly, I’m reminded of that time I saw a flock of pigeons fight over a single french fry. Survival of the fittest, right?

The single stands well on its own, of course. But from what they told me about being part of some grand concept album narrative? It does indeed, leaving the track is a gear turning in something larger. Something even… darker?

Does “Deteriorate” offer answers? No. But it screams the questions with a raw, electric urgency that is a perfect portrayal.

Follow Epic Sigh on YouTube, Instagram and TikTok.

Dairius Alexander Keeps It Real with Sober

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Mister Styx
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Dairius Alexander Keeps It Real with Sober

 Dairius Alexander creates a powerful musical journey through Sober which emerges from his hometown of Charlotte, North Carolina. The 14-track album presents itself as more than musical compositions since it delivers a personal story about battling hardships while demonstrating perseverance through self-reflection.

Sober represents four years of work between Dairius Alexander and producers Akeem J Wells and Spxlly who combined classic hip-hop elements with modern storytelling techniques. Through the album Alexander guides listeners along his sobriety adventure which reveals both his exposed moments and his moments of victory.

Sober functions as an unadulterated depiction of human existence. Music is his tool to remain authentic because Dairius Alexander refuses to follow trends or commercial formulas while creating music that reaches listeners on an emotional level. The album smoothly transitions from upbeat boom-bap anthems to emotional grainy textures creating an old-school feeling that remains both new and classic at the same time

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Music is his tool to remain authentic because Dairius Alexander refuses to follow trend

Different songs on the record express various feelings from emotionally heavy reflections to hopeful determination. Alexander presents a confident hip-hop offering through this album which reveals both his poetic abilities and the story of his personal development alongside his fight through obstacles.

In his own words Dairius labels Sober as his “trajectory point” because it represents his current life status. Through his album Dairius shares his battles and accomplishments during his time of sobriety because he makes himself open to listeners according to his explanation. The album Sober achieves more than its status as music because it delivers raw honesty combined with self-examination which draws listeners deep into his reality.

Sober establishes Dairius Alexander as an artist who goes deeper than shallow storylines in his music. This body of work brings genuine and exposed messages which strike deep within the audience. The album sticks in your mind through its exceptional production quality and meaningful lyrics so much so that its effects remain strong even after the last song concludes.

Listen to Sober below

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The Soundtrack of a Life: Exploring ‘Ces Années-Là’

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Mister Styx
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The Soundtrack of a Life: Exploring 'Ces Années-Là'

Jaime’s Tone, the Paris-based songwriter and arranger known professionally as Jacques M., has taken a bold and deeply personal turn with his latest album, Ces années-là. After four English-language releases, he returns to his native French, crafting an intimate and evocative sonic memoir that feels like a journey through time and memory. Renowned for blending genres such as pop, rock, hard rock, and progressive rock, Jaime’s Tone elevates his artistry by weaving his own life story into this concept-driven project.

Each track on Ces années-là represents a distinct chapter of life, from the struggles of youth to the uncertainties of what lies ahead. The album opens with “Les années difficiles,” a haunting yet powerful piece that sets the tone. Somber chords give way to a dramatic crescendo, reflecting both hardship and resilience. Jaime’s raw, emotive vocals guide listeners through an introspective exploration of adversity, drawing them into the narrative from the very first note.

“Les jeunes années” shifts the mood, bursting with the carefree energy of youth. Here, electrifying rock riffs meet subtle electronic elements, creating a dynamic and immersive experience. Jaime’s precise guitar work and rhythmic intricacies evoke nostalgia while keeping the sound fresh and modern, reminding us of simpler times.

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Jaime’s precise guitar work and rhythmic intricacies evoke nostalgia while keeping the sound fresh and modern, reminding us of simpler times.

One of the standout tracks, “Les années folles,” celebrates the reckless abandon of young adulthood. With its infectious rhythm and whimsical instrumentation, the song blends chaos and exhilaration seamlessly. Jaime’s vocal acrobatics and genre-fluid approach make this a highlight, encapsulating the album’s diverse influences in one unforgettable moment.

A serene interlude comes with “Les années heureuses,” where happiness and contentment are explored through delicate piano melodies and lush string arrangements. This track offers a moment of calm reflection, capturing the fleeting yet profound nature of joy—a much-needed respite amidst the album’s emotional highs and lows.

The lead single, “Les années oubliées,” introduces a reggae-infused groove that adds a refreshing contrast to the predominantly rock-centric sound. Its evolving structure keeps listeners engaged, while its melancholic undertone reflects themes of lost time and forgotten memories. Jaime’s willingness to experiment with unexpected genres highlights his fearless musical exploration.

The album closes with “Les années futures,” a track that embraces both hope and uncertainty. Expansive instrumentation and soaring melodies create a sense of open-ended possibilities, leaving listeners with a feeling of anticipation for what’s to come. Jaime’s voice, filled with conviction, reinforces the album’s overarching themes of growth and self-discovery.

Ces années-là marks a significant evolution in Jaime’s Tone’s career. By returning to his roots—both linguistically and thematically—he has created an album that is as musically adventurous as it is emotionally resonant. His seamless blend of rock, pop, and subtle electronic influences results in a collection that feels both innovative and heartfelt. For anyone seeking an album that intertwines personal storytelling with rich sonic textures, Ces années-là is not just a listen—it’s an experience.

Listen to Ces années-là below

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Shatter the Mirror: Aging Disgracefully Unveils “Foggy Highway”

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Chris The Blogger
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Shatter the Mirror: Aging Disgracefully Unveils "Foggy Highway"
Shatter the Mirror: Aging Disgracefully Unveils "Foggy Highway"

Aging Disgracefully, that bluesy duo daring to stare down Father Time with a guitar and a microphone, has dropped “Foggy Highway,” a single from their upcoming album, “Shatter the Mirror”. And, speaking of shattering, have you ever tried to assemble IKEA furniture without the instructions? It’s a bit like that – confusing, occasionally infuriating, but with moments of unexpected brilliance.

Karen’s vocals wrap around you like the fog in the song’s title, both comforting and disorienting. Mike’s guitar work weaves in and out, sometimes a gentle guide, sometimes a rebellious detour. This isn’t background music; it’s foreground life.

Shatter the Mirror: Aging Disgracefully Unveils "Foggy Highway"
Shatter the Mirror: Aging Disgracefully Unveils “Foggy Highway”

The song grapples with this mad dash we call existence, portrayed as a road trip down, well, a foggy highway. Makes perfect sense; there’s talk about all the choices you make along this adventure. The destination is fixed (spoiler alert: we all end up in the same place), but how we get there? That’s the juicy bit. It’s a conversation, really, an audible wrestle, to decide between traffic regulations or that hidden path. Do we stick with those mundane signs or try taking a jump over the ravine?

The song explores this need, this absolute craving, to just… break free. There are whispers in the fog about society telling us to slow down. What’s with those prescribed rules? They question the entire concept of life stages and those absurd expectations.

Aging Disgracefully calls it. Life isn’t just about the passing moment; it’s the blurry, unpredictable journey that counts. What happens when we stop fearing the fog?

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Cat Mayel’s “FREE”: Sonic Sorcery & Self-Liberation

By
Chris The Blogger
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Cat Mayel's "FREE": Sonic Sorcery & Self-Liberation
Cat Mayel's "FREE": Sonic Sorcery & Self-Liberation

Cat Mayel’s “FREE” arrived, not on a silver platter, but more like a rogue pigeon delivering a very important message – a crumpled napkin with profound scribbles. This Nigerian producer, composer, arranger, and all-around sonic sorceress has served up a single dose of alternative neo-soul that feels… well, free. As free as a shopping cart with a wonky wheel, anyway. It goes where it wants.

The theme, as they say, is self-liberation. But have you ever tried to liberate a particularly stubborn jar of pickles? It’s like that, only the pickles are your inner demons and the jar is, well, everything else. Mayel seems to understand this struggle. The music doesn’t pummel you with positivity; it oozes understanding. It is in some moments very gentle. A calming reassurance that you are on the right path, that things take time.

The message is about breaking free, seeking truth, finding your own brand of sparkly inner peace – all that good stuff. It reminded me, oddly enough, of the time I tried to assemble flat-pack furniture without instructions. Pure chaos, followed by an unexpected sense of accomplishment (and a slightly lopsided bookcase). Grace and love, two birds with significantly different plumage, yet both birds indeed.

Cat Mayel's "FREE": Sonic Sorcery & Self-Liberation
Cat Mayel’s “FREE”: Sonic Sorcery & Self-Liberation

“FREE” is a journey of self discovery. It tells you, go on, unfold yourself. What if a fern could sing, though? Would it sound like this?

Mayel crafts an environment, somewhere you can shed not only expectations from the outside, but that internal, judging voice. A sanctuary of self-embrace and the freedom to explore every path your self-discovery takes. You know, at your own pace, with an open heart and curious eyes. A journey without maps… or a need for any.

“FREE” sounds how you hope existing can, and sometimes does feel.

Perhaps the real freedom isn’t in the destination, but in the bewildering, beautiful mess of getting there.

Follow Cat Mayel on Website, YouTube and Instagram.

Jay J. Ra and African Child Bring Afrobeat Warmth to “Sweet Stories 2”

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Mister Styx
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Jay J. Ra and African Child Bring Afrobeat Warmth to "Sweet Stories 2"

Canadian artist Jay J. Ra delivers the reggae song “Sweet Stories” another time through “Sweet Stories 2” alongside Ghanaian artist African Child who gives it an Afrobeat twist. The reimagined track combines the lively African music elements with deep emotional content to produce an entirely fresh piece that respects the original essence.

Producer Dan Bassey led the project where Quab Sea handled the mixing and mastering work to deliver this rich sound experience. The production achieves its perfect balance through Ra’s soft vocal delivery which narrates messages about love and loyalty and African Child’s performance that adds Ghanaian dancehall intensity to the entire song. The song strikes that ideal equilibrium which lets audiences delve in deeply through the headphones but still dance wildly to its irresistible beats.

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The production achieves its perfect balance through Ra’s soft vocal delivery which narrates messages about love and loyalty and African Child’s performance that adds Ghanaian dancehall intensity to the entire song.

Each component of the warm production achieves prominence in the song by offering space for the Afrobeat rhythms to thrive and enabling the beautiful vocal exchanges between performers. This song presents a complete fusion lesson which shows how musical traditions evolve into original yet recognizable new forms.

With “Sweet Stories 2” Ra continues his artistic development by maintaining his R&B and pop direction but extends his musical boundaries. The final product combines multicultural musical collaboration with a message about music’s ability to convey stories of global human connection.

Listen to Sweet Stories 2

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Mark Vennis: Is “Solid Ground” Hope or the Apocalypse?

By
Chris The Blogger
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Mark Vennis: Is "Solid Ground" Hope or the Apocalypse?
Mark Vennis: Is "Solid Ground" Hope or the Apocalypse?

Right, so “Solid Ground” by Mark Vennis & Different Place (that’s Mark Vennis, Dave Sweetenham, Sean Quinn, and Brian Gee, for the record keepers) landed… somewhere. Not on my desk, not in my ears. Let’s say it phased into existence on my consciousness, like a rogue transmission from a slightly distressed future.

This isn’t your average post-punk dirge, although it definitely has that delightful sense of impending doom that the genre does so well. There’s a thrumming urgency, blended with…is that a blues harmonica? A theremin being strangled by a dial-up modem? My brain feels pleasantly scrambled.

The theme is, frankly, terrifying. Environmental collapse. But Vennis & Different Place aren’t just shouting about melting ice caps. The lyrics spin a yarn of systems failing and about a singular reality that leaves us with the primal, undeniable truth that you may just require assistance from someone standing right next to you! A bit like realizing that maybe relying on that sentient smart fridge wasn’t the best idea during a blackout. You need your neighbor, the one with the actual, old-school can opener.

Mark Vennis: Is "Solid Ground" Hope or the Apocalypse?
Mark Vennis: Is “Solid Ground” Hope or the Apocalypse?

The sound weaves between the angular guitars you’d expect, and unexpected soul. Also included is an electronic throbbing sound that brings some welcomed freshness.
The remix? Ah, yes. By Escape which provides an electro twist.

What else…Oh! An acoustic version?! Why not…It’s stripping away the layers that I enjoyed so much, the result is different and kind of unique.

This whole thing gives off vibes of those old public information films – the ones that were supposed to prepare you for nuclear war but just ended up making you want to build a fort out of sofa cushions. There’s an undeniable element of, well, coping woven into the noise.

It is not quite certain if “Solid Ground” offers hope, or just a really stylish soundtrack for the apocalypse. Maybe, it suggests, they’re the same thing?

Follow Mark Vennis & Different Place on Website, Facebook, Twitter, YouTube, Instagram and TikTok.

Sound the Alarm! Ganzi Gun Unleashes “Aggressive Response”

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Chris The Blogger
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Sound the Alarm! Ganzi Gun Unleashes "Aggressive Response"
Sound the Alarm! Ganzi Gun Unleashes "Aggressive Response"

Ganzi Gun, that Athens-based quintet of hard rock, have unleashed “Aggressive Response,” a single that… well, it hits you like a sudden downpour of feta cheese. Unexpected, slightly messy, but ultimately, kind of satisfying. The theme is resistance. Or, maybe its about vampires. Wild vampires. They mention that directly, it isn’t one of my odd jumps in conciousness.

The song’s core roils with defiance, a middle finger raised squarely at the nebulous “they” who seek to control and oppress. Nikos Melas, on vocals, snarls and soars, painting a picture of suffering, chains, and ultimately, a crazy (their word, not mine) uprising. The “we” in this sonic rebellion are “summer descendants,” a phrase which inexplicably makes me think of sun-baked Roman ruins and the echo of gladiatorial combat. Are Ganzi Gun musical gladiators? Maybe. It’s all beautifully nonsensical.

Sound the Alarm! Ganzi Gun Unleashes "Aggressive Response"
Sound the Alarm! Ganzi Gun Unleashes “Aggressive Response”

The instrumental aspect, with Dionyssis Bourazanis on rhythm guitar and backing vocals, Thanassis Dadakarides slicing through with lead guitar, Manolis Mathioudakis providing the low-end rumble on bass, and George Dzerefos hammering out the rhythmic backbone on drums is, tight. Really tight. They play very well together. Also Pygmalion Dadakarides. Featured artist, and from the same clan as Thannasis! They make an outstanding sonic mixture of classic hard rock, with a nod to their American influences. There are some similarities to some bands from Seattle, from way back, and I refuse to make direct comparisons.

But back to these themes: Control. Disrespect. Suffering. It makes you wonder, are we not, on a Tuesday, all searching, seeking, striving for liberation, a “breaking of chains”?. Ganzi Gun channels that primal urge, that fundamental need to shatter the mundane and scream into the void.

This song makes you think that a pineapple is probably a fine hat if the occasion arises.

Ultimately, “Aggressive Response” makes you ponder; is resistance, whether real or vampire, in fact, futile? Or does it add another layer of flavor, perhaps an “acquired taste”?

Follow Ganzi Gun on Website, Facebook, Twitter, Bandcamp and Instagram.

Love Lavida – A High-Energy Celebration of Music and Mindset

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Mister Styx
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Love Lavida – A High-Energy Celebration of Music and Mindset

Proklaim’s latest release, “LOVE LAVIDA,” is a powerful demonstration of hip-hop’s ability to transcend boundaries and create something truly unique. This track delivers a sonic experience that captivates both the mind and body, blending reggaeton, Caribbean, and West African influences with sharp, meaningful lyricism to produce an irresistible anthem.

Throughout the song, Proklaim showcases his technical skill with precision and finesse, navigating the rhythm with ease while infusing every verse with intention. Each word carries weight, delivering a message that resonates deeply. Beyond its infectious beat, “LOVE LAVIDA” serves as a testament to self-determination, encapsulated in empowering lines like “number one is when it’s said and done, it’s on you.” It’s a reminder of personal agency and the power within us all.

The production process behind the track is equally noteworthy. Recorded at Pen Pushaz Studios and polished by Wojtek Majewski, “LOVE LAVIDA” highlights Proklaim’s innovative spirit. Starting with an online reggaeton beat, he reimagined it into something uniquely his own, weaving together melodic hooks, layered vocals, and rapid-fire verses to create a rich, textured soundscape that invites repeated listens.

In “LOVE LAVIDA,” Proklaim proves that hip-hop can evolve without losing its roots, offering a dynamic piece that connects on both emotional and intellectual levels. This track isn’t just music—it’s a celebration of culture, creativity, and individuality.

Listen to LOVE LAVIDA

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Stepping Into the Neon Glow: An Interview with Jackie Moontan

By
Mister Styx
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Stepping Into the Neon Glow: An Interview with Jackie Moontan

Jackie Moontan brings more to his art than traditional artist qualities because he displays showmanship and storytelling talents together with his unique originality which loves theatrical presentation. Jackie presents himself through vibrant satin clothing while his stage presence attracts viewers alongside his preference for kitschy aesthetics.

The audience sees Jackie performing with extreme movement before witnessing him either express uncontrolled shouts or roll out of the performance area. His onstage performances deliver unpredictable sequences yet he remains a perceptive artist who performs crooner songs combined with pop and funk and soul elements that express both ridiculous and universal themes.

Jackie presents “The Dark Side of the Tanning Bed” as his new album which merges humorous elements with reflective content. The new concept album based on Jackie Moontan’s fictional story traces his fictional character’s ascent through life while he battles human wants and desires alongside vanity’s pitfalls. The album presents a complex sonic experience through its barroom atmosphere and soulful saxophone melodies which deliver both comedic moments and deep social insights.

This interview explores how Jackie creates his music while examining his distinct style influences together with the unpredictable making of his most recent album. Jackie Moontan brings you on an exciting adventure through his vibrant and turbulent and deeply emotional world.

Listen to The Dark Side Of The Tanning Bed

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The title “The Dark Side Of The Tanning Bed” suggests both humor and potential social commentary. What inspired this particular concept for your new single?
I think it’s important to approach things with humor. At least for me, that’s how I keep my head afloat in this torrent of misery.

Your artist name “Jackie Moontan” paired with this track title creates an interesting thematic connection. Was this intentional, and how does it reflect your overall artistic identity?
Everything I do is intentional. The character I play is called Jackie Moontan and he’s a moon man. This album highlights the downfall of Jackie, caught in the web of human desires and obsessions.

Can you walk us through the creative process behind “The Dark Side Of The Tanning Bed”? Were there any unexpected turns during its development?
Every process of creation has unexpected turns. It’s the beauty of it and it’s also what keeps you on your toes. This album has been written over the course of a couple of years. There’s been a pandemic, a recession and some personal drama. It has been delayed quite a few times. But it’s here now and that’s all that matters.

The Album title suggests a play on Pink Floyd’s iconic album. Does the album draw any musical or thematic inspiration from classic rock?
I’m madly in love with classic rock, and vinyls. I wanted a grand title and imagined it across a vinyl sleeve in big, broad letters. I also love concept albums, which you’ll find quite a lot during that era of music. So yeah, I chose to make a concept album with a continuous story and a grand sounding title with an old school artwork and photo as an hommage to the records I love.

What message or feeling were you hoping to convey through this single?
Love doesn’t rule the world, unfortunately, but it’s that glue that keeps it all together.

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Stepping Into the Neon Glow: An Interview with Jackie Moontan

How would you describe the sonic landscape of “The Dark Side Of The Tanning Bed” to someone who hasn’t heard it yet?
It’s a bar, a bit romantic and a bit sleazy. The neon is flickering and in need of repair but the stage floorboards are immaculately polished and there are old red velvet theatre curtains surrounding it.

There’s a lonesome singer with a glass of scotch in one hand, singing his song of longing center stage. Every once in a while a saxophone cuts the smoke heavy air with it’s wonderful warmth and weight. An old couple kisses again and after the singer has cleared the stage, everyone leaves early, somehow happier than they were before.

Did any personal experiences influence the creation of this track?
Even though the character of Jackie is fictional, the sadness and the madness is all mine.

The title suggests a certain irony or cultural critique about beauty standards. Is this something you intended to explore in the song?
I write the lyrics, you do the interpretation. There’s definitely more than one thing to read between the lines.

How does this single represent your evolution as an artist compared to your previous work?
On my previous EPs I played most of the instruments myself, on a midi keyboard. It gave it a bit more of a bedroom pop feel. For my first album I wanted to highlight the wonderful musicians that accompany me on stage, so I went for that band sound.

Were there any specific musical influences or references you incorporated into this album?
There’s quite a few influences. From the aforementioned classic rock over to soul and funk music. I love James Brown, David Bowie and Parliament Funkedelic. This music moves me. However I’m very careful to not let the influences shine through in an obvious way and make my music predictable.

What was the most challenging aspect of creating or recording “The Dark Side Of The Tanning Bed”?
Getting up in the morning. You won’t believe how hard that is when you’re living through a full on depression and you have to function somehow.

Is this single part of a larger project or concept you’re developing?
Yes, world domination.

What has been the most surprising listener reaction to the song so far?
I saw panties fly off a woman once. It was quite a sight to behold.

What’s next for Jackie Moontan after this release?
I’ll probably become a broker. There’s money to be made there, I heard.

From Struggle to Strength: The Story Behind ‘Move On’

By
Mister Styx
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From Struggle to Strength: The Story Behind 'Move On'

Every artist has that one song that truly captures a moment of change, a turning point in their journey. For Bleec, that song is “Move On.” Originally written a decade ago, the song has evolved into an uplifting anthem about resilience, renewal, and embracing the future. With dreamy, energetic production and deeply personal lyrics, “Move On” is a reminder that the past does not define us—better days are always ahead.

In this exclusive interview, we dive into the creative process behind “Move On,” exploring how the song transformed from a simple piano melody into a fully produced track. Bleec shares insights into their musical evolution, inspirations, and the challenges of recording as an independent artist. We also get a glimpse into their future projects, including a debut studio album that promises to push their sound even further.

From self-production to personal storytelling, this conversation reveals the heart and soul behind “Move On.” Join us as we explore the journey of an artist who is always on the rise—both in music and in life.

Listen to Move On

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What personal experiences or stories inspired you to write “Move On”?
I actually wrote this song 10 years ago. I really liked the chords and didn’t think much of it at the time. The lyrics were written in a gradual process, however the title has always been the same. This song is an uplifting and hopeful anthem about leaving the past behind and looking ahead.

It starts with feelings of struggle and sadness, but as it goes on, the message becomes clear—it’s time to let go and move forward. The chorus is a strong reminder that the past doesn’t define you, and better days are ahead. With a dreamy, energetic sound, it’s the perfect song for anyone ready for a fresh start.

Can you walk us through your creative process while developing this single? How did the song evolve from its initial concept to the final version?
Like many of my songs, I start with just sitting by my piano and my fingers start to play. Whatever emotions I am feeling at that moment are transcribed into the sound you hear. From there I add and produce all the surrounding elements. Record more instruments and vocals. In the end I mix and master it to the best of my ability.

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Whatever emotions I am feeling at that moment are transcribed into the sound you hear. From there I add and produce all the surroundin

Musical Style and Evolution: How does “Move On” reflect your musical evolution? Are there new elements or styles you’ve incorporated that differ from your previous work?
When playing the song for friends, they hear similarities to bands like Owl City, Passion Pit and Parade of Lights. Looking back, I certainly see those connections. The song has a very atmospheric poppy vibe to it, which is exactly what I wanted to achieve. I’ve experimented with a lot of different styles in the past.

From EDM, Techno, to Punk-Rock and Folk. I find however this style fits my persona well at the moment and I will be producing even more blends of different genres in the future.

Did you collaborate with other artists, producers, or songwriters on “Move On”? If so, how did these collaborations influence the final outcome?
Nope, just me myself and I.

What were the biggest challenges you encountered during the production of “Move On,” and how did you overcome them?
The vocals have always been a difficult part for me. Since I record at home, my resources are limited. However I plan to record the next songs in a professional studio, so you can look forward to cleaner vocals 🙂

What message or emotions do you hope listeners take away from “Move On”?
As I said before, it’s a reminder that the past doesn’t define you, and better days are ahead. Whatever struggles you are going through, there will always be tomorrow and a new horizon with endless possibilities to reach out and grab.

Are there any music videos or visual projects accompanying the release? How do they complement the song’s theme?
I’ve opted for a variation of short clips to promote this song. Many are shot outside in front of a typical Swiss landscape and forest. Nature symbolises growth and life, which is also what I’m trying to preach in this song.

How has the initial response been from your audience and critics? Has any feedback surprised you?
In the past I’ve played this song live on numerous occasions and I always got great responses from it. Online I’ve gotten many positive reviews and also a radio play on a nation wide station, for which I was super excited for.

Does “Move On” hint at the direction of your upcoming projects or an album? What can fans expect next from you?
I actually am currently working on my very first studio album. This song will be remastered and also featured on the album so stay tuned! I’m also working on some side projects and visualisations for other singles. One might be dropping sooner than you think!

The Art of Subtle Evolution: A Conversation About Sound, Change, and Emotion

By
Mister Styx
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The Art of Subtle Evolution: A Conversation About Sound, Change, and Emotion

Music lives in paradox – both eternal and ephemeral, fixed yet fluid with each new listen. This duality sits at the heart of ‘Nothing Changes, Nothing Stays The Same’, a track that moves seamlessly between introspective depths and pure dancefloor energy.

The song emerged in a single day, born from an organic creative flow that prioritized intuition over complexity. While its DNA carries clear traces of German techno, the track draws from a broader palette of influences, walking the line between structured precision and spontaneous evolution.

In our conversation, we explore how subtle sonic shifts mirror the way thoughts and emotions transform over time. We delve into the technical architecture behind the track’s hypnotic minimalism, while also examining deeper questions: What happens in those solitary moments of dance, when we’re simultaneously lost and found in the music? How do small musical changes reflect life’s quiet revelations?

‘Nothing Changes, Nothing Stays The Same’ is a testament to music’s dual nature – a piece that resonates in both motion and stillness, leaving its mark long after the last note fades.

Listen to Nothing Changes, Nothing Stays The Same



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“Nothing Changes, Nothing Stays The Same” seems to capture a beautiful paradox. What inspired you to explore this concept through music?
The inspiration comes from the idea that nothing truly remains the same, even when it appears to. As a person, I’m always experiencing new thoughts and emotions, even if, on the surface, it seems like nothing has changed. This track reflects that internal shift—subtle but constant.

The title suggests themes of impermanence and constancy. How does this duality manifest in the musical composition itself?
The track is built on repetition with only minimal changes, if any. It might seem static, but if you listen closely, small details emerge over time, mirroring the way life unfolds—gradual, evolving, yet somehow still familiar.

How does this new work reflect your evolution as an artist compared to your previous compositions?
I see myself as a diverse artist, and my music always reflects my mood and what I’m listening to at the moment. This track may sound different from my previous work, but for me, it’s just another part of the journey—one link in a continuous chain.

The piece seems to invite deep reflection. What emotional journey do you hope listeners will experience?
I want people to dance—alone. This kind of music encourages self-reflection, a deep personal experience that exists within movement. It’s about getting lost in the moment while simultaneously connecting with yourself.

Were there any unexpected challenges or breakthrough moments during the composition or recording process?
Not really. This track came together in just one day. I knew exactly what I wanted from the start, and everything flowed naturally.

Your music often blends different influences and styles. What musical traditions or artists influenced this particular piece?
I’d say this track is mostly influenced by German techno, but my inspirations are always broad. Even jazz or hip-hop can shape the way I approach music. At its core, this track is about tension and release—something that exists in all genres.

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At its core, this track is about tension and release—something that exists in all genres.

The title feels particularly relevant to our current times. How does this work connect with broader themes in contemporary society?
This track comes from a deeply personal place, so I wouldn’t say it directly represents something larger. But in a way, personal feelings are universal—maybe billions of individual emotions happening at the same time create a kind of collective experience.

As a composer, how do you approach balancing structure and fluidity in your work?
For me, everything is improvised. I try to enjoy the process and create something that makes me feel something immediately. I don’t overthink structure—if it moves me, it’s working.

What aspects of “Nothing Changes, Nothing Stays The Same” are you most proud of or excited for audiences to experience?
The energy. I think the track is very captivating, and I’m excited for people to feel that intensity when they hear it.

During the creation of this piece, were there any significant revisions that transformed its meaning or structure?
Not at all. This track was a one-day creation. However, my feelings about it have evolved over time, as they always do.

Looking ahead, how does this work fit into your broader artistic vision and what might we expect from your future compositions?
I see this track as part of my journey. I think, on some subconscious level, it will influence how my music develops in the future. But I try to go with the flow—I don’t plan too much. My process is emotional and improvised, so the only thing I know for sure is that anything is possible.

Parisian Rockers The Blues Fuckers Foundation Find Beauty in Heartache

By
Mister Styx
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Parisian Rockers The Blues Fuckers Foundation Find Beauty in Heartache

Based in Paris, The Blue Storm Collective has earned a reputation for blending rock with blues, country, and folk influences to create rich, storytelling-driven music. Their latest release, “If You Feel Alone,” is a poignant ballad that explores the pain of loss and the fragility of human connections.

From the very first note of the soulful harmonica, the song establishes an intimate atmosphere. Acoustic and subtly electric instrumentation give the track a timeless, heartfelt quality that feels deeply personal. Through evocative lyrics, the band weaves a touching narrative about fractured relationships, capturing the emptiness and loneliness that can linger in their wake. There’s an authentic sincerity to the storytelling, one that resonates on a visceral level.

What makes “If You Feel Alone” particularly striking is its raw honesty. The producers opted for genuine, unpolished sounds over slick production techniques, allowing the emotion to shine through without artifice. The chorus, especially, lingers long after the song ends, blending the sorrow of lost love with a glimmer of hope that leaves a lasting impression.

For fans of soulful rock with a strong folk foundation, The Blue Storm Collective offers a truly authentic experience. This band stands out not just for their musical talent but for their ability to connect with listeners on a profound emotional level. They’re an act worth watching—and hearing—as they continue to evolve and share their unique voice with the world.

Listen If you feel alone

Follow The Blues Fuckers Foundation on

Spotify

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“The Essentials”: Sleeping Together’s Ode to Forgetful Nights

By
Chris The Blogger
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"The Essentials": Sleeping Together's Ode to Forgetful Nights
"The Essentials": Sleeping Together's Ode to Forgetful Nights

Right, so, Sleeping Together. Manchester and Liverpool’s own four-piece purveyors of… what was it again? Oh yeah, energetic indie rock. “The Essentials,” their new single, dropped recently and I think it contains atoms. You know, like everything else. Except maybe thoughts. Are thoughts atoms? My cat doesn’t think so. He thinks thoughts are made of tuna.

Anyway, “The Essentials.” This tune is all about a messy night out, the kind where you wake up with a traffic cone in your bed and a vague sense of having challenged a pigeon to a staring contest. (Spoiler: the pigeon won.) The band, these escape artists of the everyday, dive headfirst into the deliberate act of forgetting. It makes me wonder, what am I deliberately, conveniently forgetting today? Why can’t I remember the end of Hamlet?

It’s a conscious shedding of baggage – “only taking essentials,” they sing, as if preparing for a lunar mission fueled by cheap lager and questionable decisions. And the “let the doors bleed to the next” bit? Pure, unadulterated escapism, painted in the neon hues of a Friday night. I think is very clever. It’s like that feeling when you finally throw away that t-shirt with the mysterious stain you can’t identify or explain. Freedom!

"The Essentials": Sleeping Together's Ode to Forgetful Nights
“The Essentials”: Sleeping Together’s Ode to Forgetful Nights

Musically, it’s got that noughties indie bounce, all jangly guitars and driving rhythm, making them a tight knit unit of exhilarating rock. Yet, underneath the surface, a kind of nervous energy crackles. It echoes that feeling of being too present, of hyper-awareness masked as carefree abandon. It’s fascinating. And are those synthesisers or sounds from a kettle?

Did Sleeping Together invent this need to check out, the choice to limit physical and emotion for freedom? Of course not. But they’ve bottled the feeling, shaken it vigorously, and sprayed it all over our eardrums.

The final question to ask I guess is, will “The Essentials” make you dance, contemplating, escaping for a fleeting 3 minutes? Perhaps, if only to find you can’t escape yourself?

Follow Sleeping Together on Facebook, Twitter, YouTube, Instagram, Songkick, TikTok and Website.

“Reflection”: ArtfulFrankArthur’s Search for True Feeling

By
Chris The Blogger
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"Reflection": ArtfulFrankArthur's Search for True Feeling
"Reflection": ArtfulFrankArthur's Search for True Feeling

Okay, here’s my take on ArtfulFrankArthur’s debut single, “Reflection”:

ArtfulFrankArthur. The name sounds like a royal decree delivered by a tipsy knight. But behind this Finnish moniker (courtesy of Simo Andersén) lies “Reflection,” a single grappling with… well, everything. It’s atmospheric pop, sure, indie rock, definitely, but try squeezing the vastness of existential dread into a genre label. Go ahead. I’ll wait.

The core of this track, this sound-creature sculpted by Andersén, is the uneasy marriage of success and inner turmoil. The central lyrics explore being profoundly un-okay, even when everything looks okay. You’ve got the keys to the castle, but the throne room feels colder than a Finnish winter, apparently. Speaking of Finland, I wonder if they have decent tacos there? Anyway…

"Reflection": ArtfulFrankArthur's Search for True Feeling
“Reflection”: ArtfulFrankArthur’s Search for True Feeling

The music itself mirrors this duality. The guitar melodies are undeniably catchy, sweet enough, even. One minute you’re feeling the tune, the next your toe tapping to a tune while remembering humanity’s place as stardust in the giant void. A chilling concept and delivered effortlessly.
The instrumentation swirls and builds, pulling you under like a tide of… well, sparkly melancholy.

“Reflection” isn’t trying to give you answers. It’s not here to hold your hand and whisper sweet nothings – the universe doesn’t do gentle whispers. It’s holding up a mirror, albeit a slightly smudged one, reflecting the complicated mess of being human. And is that any one persons condition, or just a shared burden?.

It asks: Are we all just beautifully crafted ships sailing on a sea of mild to moderate despair? What if existential dread tastes a bit like…lingonberry jam?
Think about it.

Follow ArtfulFrankArthur on Facebook, Instagram and TikTok.

Get Ready to Move: Consequential’s “Down” is Here

By
Chris The Blogger
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Get Ready to Move: Consequential's "Down" is Here
Get Ready to Move: Consequential's "Down" is Here

Consequential, hailing from Bury St. Edmunds, England, those folks decided to put out some electricity- they’re calling this electricity, “Down”. A single. Pure instrumental. You know, sometimes I think instrumental tracks are like staring at a Rorschach test made of sound. What do you see? Or, rather, feel?

Because “Down,” is all about feeling. This isn’t background music for folding laundry. No, This is music is built to release tension, some of it anyway. Its message… well, is feeling the heavy rhythm and surrendering yourself to the moment and moving. The group are quoted calling it a “heavier tune that grooves.” I can certainly relate. One moment of listening in, you are going to start nodding, even stomping, to it, so beware where are you playing it.

There’s a relentless, almost tribal energy coursing through this two-minute track. I find myself suddenly craving pretzels. Why pretzels? I have no idea. The human brain is weird. But back to “Down”.It builds, it throbs, it pulls you under… and then it’s gone. Just over two minutes! Like one of those dreams where you’re falling, only instead of waking up in a cold sweat, you’re just… on the floor. Possibly dancing. Or maybe that’s just me.

Get Ready to Move: Consequential's "Down" is Here
Get Ready to Move: Consequential’s “Down” is Here

It’s pure electronic music, focused laser-like on the power of a bassline that could probably vibrate a small car. No vocals, No fluff. I will not even dare to try guessing where it belongs within the dance/EDM spectrum. Genres are just boxes, and this track feels like it’s trying to escape the edges of any particular box. Or even to destroy all of the boxes.

Is Consequential reflecting our frenetic, always-on, sometimes-overwhelming modern existence? Maybe, are they releasing energy.

Or Maybe it’s just a beat you will love. Go get yourself down.

Follow Consequential on Bandcamp, YouTube and Instagram.

Attack the Sound: “Love is War: Packed” – Catchy & Complex

By
Chris The Blogger
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Attack the Sound: "Love is War: Packed" - Catchy & Complex
Attack the Sound: "Love is War: Packed" - Catchy & Complex

Attack the Sound’s “Love is War: Packed” EP is… a thing. A Chi-Pop thing, specifically. Chicago’s own ATS is back, celebrating five years since the original “Love is War” single dropped, and they’ve decided to, well, pack it. Like a suitcase full of emotional baggage you’re not sure you want to unpack.

The central theme, in case the title didn’t bludgeon you with it, is that love is, apparently, a battlefield. Original, right? Actually kind of. Not in theme; thousands of songs deal with romantic strife. It’s in their sonic presentation. The band mixes some house and a load of soul that it somehow still sounds crisp.

ATS takes us through the wreckage of a relationship gone sour. Lyrics like “how did we let things get so strange” aren’t exactly groundbreaking poetry, but they hit. They thud, softly, like a velvet-covered brick. Ever tried to assemble IKEA furniture with a broken heart? Same vibe. The indecision (“running back and forth”), the ultimate retreat – it’s all there, served up with a side of sonic contradictions. This track, it’s almost soothing with how it tells you just how exhausting it is to love, the vocals sometimes floating and blending.

Attack the Sound: "Love is War: Packed" - Catchy & Complex
Attack the Sound: “Love is War: Packed” – Catchy & Complex

It’s catchy and complex, yet it presents it’s complexities plainly. It has, you know, layers.

Then, out of nowhere, my brain conjures images of medieval siege weaponry. Trebuchets, specifically. Why? Beats me. Maybe it’s the relentless, rhythmic pulse of the EP, mimicking the slow, inevitable advance of emotional doom. Or, you know, maybe I just need more coffee. The genre-bending, the “Chi-Pop” sound (is it official or are ATS simply its pioneers, its… astronauts?), adds this strange gravity. It’s familiar enough to latch onto and different enough to raise your head for a moment to really listen, like hearing “wait a second,” that thing in a conversation you nearly spaced on, but actually care about.

The music leaves you hanging, a little dazed, a little wiser, and pondering…is all fair out of love and war?

Follow Attack the Sound on Facebook, YouTube and Instagram.

Plu2’s “Want Me”: Teenage Confidence, EDM Throbs

By
Chris The Blogger
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Plu2's "Want Me": Teenage Confidence, EDM Throbs
Plu2's "Want Me": Teenage Confidence, EDM Throbs

Plu2. The name sounds like a forgotten mathematical formula, doesn’t it? Or maybe the sequel to a beloved, animated robot. But no, it’s a 17-year-old Swede – because of course Sweden is exporting brilliantly crafted pop-infused EDM now – named Plu2, who has dropped a single called “Want Me.” And, get this: it’s not about wanting; it’s about knowing.

The track pulses, it throbs, it practically vibrates with the confidence of youth. There are moments of that synth-pop texture, where this reminds me a bit of Chvrches. You have that initial exposure to some great pop melodies before it bursts with EDM components, that’s what struck me first. This is the sound of someone absolutely certain of their gravitational pull. The central conceit? You want me. You might be pretending otherwise, maybe even to yourself, but… you want me. It’s less a question and more a cosmic declaration.

It’s fascinating, isn’t it? The bold, sometimes dangerous, territory of assuming someone else’s feelings. My cat looks at me that way sometimes, right before demanding to be fed tuna. Is Plu2’s message an honest read of some other people’s behavior, an unconscious slip revealing, in a twisted way, our inner nature?

Plu2's "Want Me": Teenage Confidence, EDM Throbs
Plu2’s “Want Me”: Teenage Confidence, EDM Throbs

“Want Me” dips its toes into a surprisingly deep pool. A pool, incidentally, shaped suspiciously like a Klein bottle. Ever seen one of those? No edges, no inside or outside. Much like the lyrical insistence of this track. The song has a raw emotion, is deeply personal.

The electronic beats support but never overshadow the vocal performance. And why should they? The student of music production, still in their teens, is out here mapping the complexities of human (or maybe just teenage) desire with a clarity.

This is music. And, let’s face it: Is Plu2 any different to what others, who want to look strong, behave in social situations? Think about that for a bit.

Follow Plu2 on Facebook and TikTok.

Lynsey Tibbs’ “Hold Me Close”: Infatuation in Three Minutes

By
Chris The Blogger
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Lynsey Tibbs' "Hold Me Close": Infatuation in Three Minutes
Lynsey Tibbs' "Hold Me Close": Infatuation in Three Minutes

Lynsey Tibbs. Royston, England. Sounds like the beginning of a particularly charming British mystery novel, doesn’t it? Except instead of a whodunit, we have a what-is-it. And “Hold Me Close,” Tibbs’ new single, is most definitely a what-is-it. A delightful one, mind you.

The song, crafted with Keir More (instrumentation, structure, co-writer – hats off to collaborative synergy!), plunges you headfirst into the deep end of infatuation. It’s not just a toe-dip; it’s the full Olympic dive. Tibbs sings of that all-consuming, slightly terrifying, utterly wonderful feeling of being completely captivated. You know, the kind that makes you rearrange your sock drawer at 3 AM because… well, why not?

The genre? pop, sure, with a dusting of country… or maybe it’s the other way around? Like trying to catch smoke with a butterfly net – a futile, but beautiful endeavor.

What resonates most is the vulnerability. Tibbs doesn’t shy away from the rawness of wanting, of that aching desire for reciprocation. It’s the lyrical equivalent of sending a text message, then instantly regretting the double-blue ticks of doom… but secretly hoping for three little dots in return.

Lynsey Tibbs' "Hold Me Close": Infatuation in Three Minutes
Lynsey Tibbs’ “Hold Me Close”: Infatuation in Three Minutes

It is human desire, compressed into three-ish minutes of audio. Ever notice how pop songs never seem to go on too much about things like paying the electric bill, or how they often do cover infatuation? I mean, It isn’t exactly inventing the internet or finding the missing sock in the cosmic dryer cycle of existence. It just is. It’s that is that Tibbs and More capture so eloquently.

Tibbs’ voice dances with the hope, while her lyrics give the lyrics, structure and emotional clout.

“Hold Me Close” isn’t trying to redefine the musical landscape. But it grabs you for a tight hug and says “Isn’t existing strange and wonderful and kinda terrifying at the same time?”. It asks. Indeed.

Follow Lynsey Tibbs on Website, Facebook, YouTube, Instagram and TikTok.

High Life, Low Tides: Yksopretty’s “IT IS WHAT IT IS”

By
Chris The Blogger
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High Life, Low Tides: Yksopretty's "IT IS WHAT IT IS"
High Life, Low Tides: Yksopretty's "IT IS WHAT IT IS"

Okay, here we go. Buckle up, buttercups, because Yksopretty’s “IT IS WHAT IT IS” just body-slammed my expectations. This Detroit native, apparently a herald of Michigan’s new wave (whatever that sonic sorcery is), dropped an album that’s… well, it is what it is. Six tracks of futuristic trap colliding head-on with… the existential dread of having too many gold chains?

Seriously, that’s the vibe.

This isn’t just bling-bling anthems. The core theme here, swirling like expensive cognac in a slightly chipped glass, is the struggle between the high life and the low, dirty undercurrent that pulls you under. Think of it as a sonic retelling of that one time I tried to make toast while contemplating the heat death of the universe. Both tasks involve fire, potential for disaster, and profound philosophical implications. Yksopretty’s rapping of boastfullness of riches versus the struggles he has, is pure rap poetry.

Yksopretty is laying bare the anxieties, the compromises, the ever-present feeling that the champagne wishes and caviar dreams could evaporate faster than a politician’s promise. It’s the musical equivalent of finding a winning lottery ticket… tucked inside a foreclosure notice. Did I mention the guy delivers this with raw energy and infectious hooks? Oh, right, the brief. I’m supposed to say things like that.

High Life, Low Tides: Yksopretty's "IT IS WHAT IT IS"
High Life, Low Tides: Yksopretty’s “IT IS WHAT IT IS”

The genre? Hip-hop, electronic, alternative R&B… throw in some rap, trap. Ultimately, it’s like the soundtrack to a high-stakes poker game played on a neon-lit spaceship hurtling towards… who knows? The beauty is in the question itself.

It is refreshing. The melodic flow adds to this masterpiece of art.

The sound Yksopretty provides makes me think, if Sun-Ra had a musical grandchild who listened only to 808s & trap while studying Renaissance art.
“IT IS WHAT IT IS” is an odd bird of a piece of art, beautiful, flawed. A contradictory sound for us, making it utterly human. Does that make any sense? It probably will once the beats do their job.

Follow Yksopretty on Twitter, YouTube, Instagram and TikTok.

“Las Mariposas” – Ivelisse del Carmen: Love’s Embers Fade

By
Chris The Blogger
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"Las Mariposas" - Ivelisse del Carmen: Love's Embers Fade
"Las Mariposas" - Ivelisse del Carmen: Love's Embers Fade

Ivelisse del Carmen, a Puerto Rican singer-songwriter crafting sonic tapestries in London, has just released “Las Mariposas,” a single that… well, it sort of feels like watching a beautifully choreographed dance between a raincloud and a sunbeam. A contradictory concoction that tastes great. Seriously, try doing that, rainclouds plus sunbeams, add milk, let me know what you got.

The theme, if you were to put a pin in its fluttering wings, is about love’s embers cooling. Not a raging inferno suddenly extinguished, but more like…the slow fade of a campfire breakfast. The wistful realization that the person next to you is now a comfortable, yet slightly alien, continent. Bossa Nova underpins, with elements of World Music.

There’s this captivating tension. Uplifting, almost relentlessly cheerful rhythms, juxtaposed against del Carmen’s voice, a spanish voice conveying that unique flavour of caribbean melancholia that’s never overly depressing. She’s chronicling a slow-motion emotional drift, yet the music suggests a vibrant pulse, even in loss. It somehow calls to mind that moment when the spanish set foot on her home, new and old crashing toghether, or that friend with the quirky clothing style – undeniably unique, bafflingly perfect.

"Las Mariposas" - Ivelisse del Carmen: Love's Embers Fade
“Las Mariposas” – Ivelisse del Carmen: Love’s Embers Fade

“Las Mariposas” doesn’t batter you with sadness. Instead, it leaves a lingering question mark hanging in the air. The lyrics – which weave poetic melodies and soulful emotion that only a daughter of that Caribbean jewel can perfectly describe – evoke images, and they stick with you like, well, like the lingering scent of mangoes on a humid afternoon. Random? Perhaps. But so is love, right? Or the random appearance of flamingoes on that english river last week.

The song sits wonderfully between a Latin indie core and modern world beats that get’s stuck in your ear-bones.

Ultimately, “Las Mariposas” makes one ponder: Is acceptance the final stage of love, or simply its most bittersweet transformation? And can avocados ever really be trusted?

Follow Ivelisse del Carmen on Website, Instagram and TikTok.

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